Une Note de Max Weber sur les Danseuses Indiennes

The long note which Max Weber devotes to traditional Indian dancers in his study on the sociology of religions in India, Hinduism and Buddhism, is commented upon here through a comparison with one of the first German studies which deals with dance in India, The World history of the dance by Curt Sachs. Three themes are discussed: the relationship between the arts of the body and scholarly knowledge; the specificity of sacred arts, in this case the magical arts and the forms which correspond to them, such as the modes of apprenticeship which assure their transmission (understood as a «hereditary charisma»); the vision of women and the notion of the pure and the impure.