| Abstract: | British imperialists in the late 19th century denigrated non‐western cultures in rationalising the partition of Africa, but they also had to assimilate African values and traditions to make the imperial system work. The partisans of empire also romanticised non‐western cultures to convince the British public to support the imperial enterprise. In doing so, they introduced significant African and Asian elements into British popular culture, thereby refuting the assumption that the empire had little influence on the historical development of metropolitan Britain. Robert Baden‐Powell conceived of the Boy Scout movement as a cure for the social instability and potential military weakness of Edwardian Britain. Influenced profoundly by his service as a colonial military officer, Africa loomed large in Baden‐Powell's imagination. He was particularly taken with the Zulu. King Cetshwayo's crushing defeat of the British army at Isandhlawana in 1879 fixed their reputation as a ‘martial tribe’ in the imagination of the British public. Baden‐Powell romanticised the Zulus' discipline, and courage, and adapted many of their cultural institutions to scouting. Baden‐Powell's appropriation and reinterpretation of African culture illustrates the influence of subject peoples of the empire on metropolitan British politics and society. Scouting's romanticised trappings of African culture captured the imagination of tens of thousands of Edwardian boys and helped make Baden‐Powell's organisation the premier uniformed youth movement in Britain. Although confident that they were superior to their African subjects, British politicians, educators, and social reformers agreed with Baden‐Powell that ‘tribal’ Africans preserved many of the manly virtues that had been wiped by the industrial age. |
