The unbearable weight of music: The intermezzo

The affordances of musical experience, its capacity to become our mode of being-in-the-world, especially in ritual situations, can be turned against us into an aversive sonic attack that bends the social arc into a liminality without end, a time in between that goes nowhere. And when this happens, we have entered the realm of music torture, a relatively recent innovation in that dark art that was ushered into the world in full force at the beginning of the 21st century. Music became part of a regime of no-touch torture inflicted upon detainees in the ‘global war on terror’, itself a war without end. In this article, the author argues for an ontomusicology that understands music as ritual and ritual as music – in this case, ritual that inverts Victor Turner’s notion of communitas, with all of its attendant modes of being-with, into a solitary mode of existence with no hope of escape, a musical ritual torture, a perpetual intermezzo.