| Abstract: | The verse epitaph of Pope Honorius (625–38) inscribed at St Peter’s in Rome and the eulogy of the same pope that Jonas of Bobbio included in his Vita Columbani et discipuli eius (composed 639–42) share language and expressions sufficient to demonstrate that Jonas must have been familiar with Honorius’ epitaph at the time he composed the Vita’s obituary. This fact has implications for both Jonas’ biography and his literary methods. It also raises the possibility that Jonas was the author of the (otherwise anonymous) epitaph. Close reading of the Vatican epitaph highlights not only the epigram’s literary ambition and background but also identifies other correspondences with the lexical and poetic inclinations of Jonas. In turn, these observations undercut pessimism about the literary milieu of seventh-century Rome and Italy. |
