A History of Chinese Immigration in the United States and Canada

The 2005 Québec novel by Nicolas Dickner (English publication, 2008) presents intertextual effects that become a reflection on writing. The novel is a voyage of self-discovery while offering connections to Melville, Joseph Conrad, the German “bildungsroman,” nineteenth century classic novels, twentieth century French existentialist essays, Anglo-Saxon seafaring sagas, Central and South American imaginative tales, “cric-crac” stories of Québécois “raconteurs,” subversive Canadian novels, adventure stories, detective narratives, comic books and computer-generated discourse. This complex mise en abyme of writing through interlacing genres stands as a metaphor for diversity and rootlessness in North American society.