武汉市滨水公共游憩空间生产的过程与机理

城市滨水公共游憩空间是城市功能转型的典型代表。运用实地调研、访谈、批判性语篇分析等方法,基于列斐伏尔的空间生产理论和福柯的微观权力理论,建立起贯穿空间规划、建设、管理和使用全过程的解构思路,从“规训者—反规训者”视角分析了武汉市滨水公共游憩空间生产的过程和机制。研究发现：①武汉市滨水公共游憩空间的生产是规训者与反规训者相互作用、共同推动的结果,经历了由空间的表征主导的“游憩化规划”阶段,由空间的实践主导的“水岸重塑”阶段和由表征的空间主导的“流动秩序实践”阶段;②多元利益主体在不同阶段形成了自上而下的趋同性空间再造和自下而上的异质性空间实践,但政府始终主导着空间生产过程,保障了其游憩化、公益性方向。

THE PROCESS AND MECHANISM OF THE PRODUCTION OF WATERFRONT PUBLIC RECREATION SPACE IN WUHAN

Urban waterfront public recreational spaces (WPRS) are typical regions of transformation of urban functions from manufacturing and flood-prevention to recreation and consumption. By the method of on-site survey, deep interview, critical discourse analysis, and applying Lefebvre's theory of production of space and Foucault's theory of micro-power, this study established a deconstruction framework involving the whole process of production of space including planning, constructing, public recreation and administration. Applying this framework, we analyzed the production process of the WPRS in Wuhan from the perspective of disciplinarian-resistant. The study found that: 1)The production of Wuhan's WPRS has been driven by the involved disciplinarians and resistants interacting with each other in the process and has gone through three stages, namely the stage of "recreationized planning" dominated by the representation of space, the stage of "waterfront remodeling" led by the practice of space and the stage of "flowing order practice" led by the space of representation, which respectively produces an ideal space, a perceived space and a living space; 2) In these stages, various agents such as governments, mass media and local residents implemented top-down convergent spatial reconstruction, and meanwhile formed bottom-up heterogenous spatial practice, the governments have dominated the process of the production of WPRS, which has ensured the direction of the production being recreational and public.