Cartographies of Globalisation,Technologies of Gendered Subjectivities: The Dub Poetry of Jean ‘Binta’ Breeze

By locating the current usage of ‘diaspora’ within today's cultures, I make a case for the unacknowledged subject of Paul Gilroy's black Atlantic world being Western, urban and male. In order to consider the black Atlantic as the site of multiple and heterogeneouslyproduced subjectivities, I turn to the Jamaican performance poet, Jean ‘Binta’ Breeze, whose work stages modern black subjectivities that are Third World, rural, domestic and female. Her poems depict black female subjectivities that are both local and global, articulated more through dancehall culture and radio technology than a ‘cut‐and‐mix’ music style that tends to be male‐identified.