Nature in the Old Portuguese Lyric

The present article focuses on the role of paratextual elements—epigram, marginal notes, and musical partitures—in Juan Benet's Un viaje de invierno (1976), with special emphasis on their role in the reading process. Gérard Genette's work on paratexts will serve as a helpful entry to my analysis of the Spaniard's novel. When conceived as the components of a liminal space that mediates text and off-text, Benet's paratexts serve to explore and enrich the zona de sombras inherent to his narrative vision. This slippage situates readers on the thresholds of interpretation and underscores the indeterminate quality of aesthetic (re-)creation. The interconnected, and often contentious, “zones” of the work engender multiple readings, vitiate chronology, and reinforce several recurring themes such as alienation, death, and rebirth. The novel brings to the fore the reader's role in negotiating the highly indeterminant components of the text and the paratext. Through this process, Benet eschews the tenets of casticismo and highlights the role of enigma central to his literary theory and praxis.