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When women choose to participate in violent or subversive organizations, they invert gender binaries and enter into what has traditionally been considered to be a male sphere. Both fictional and nonfictional accounts of this behavior often depict these actions as irrational and dehumanize the female actor via narrative techniques that strip them of their femininity and even their humanity. Using Sjoberg and Gentry’s Mothers, Monsters, Whores: Women’s Violence in Global Politics as a base, this article argues that Helena Taberna’s film Yoyes (2000) moves beyond these punitive narratives by depicting Yoyes as a multifaceted human being instead of pigeonholing her into a stereotypical gender role. As such, it represents a new possibility for representing the complexity of violent women without recurring to dehumanizing narratives to account for their behavior.