An analogy of the song of songs and genesis chapters two and three

Song of Songs is the love story of tha ages. It encompasses all the drama known of love, naturally and spiritually. In this writing is presented the controversy that preceded the canonization of the Song of Songs within Judaism and early Christianity. Presented is an overview of the vehicles that have been used in the exegeses of the Song of Songs as well as a discussion of the traditionally held allegorical interpretation of the Song. Within this writing there is also a discussion of the debate that still persists due to the view held by some scholars that the poetry of the Song is a translation of pagan litany when utilizing the Cult Theory. It is the intent of this writing to suggest an analogy between the Song of Songs and the book of Genesis, chapters two and three. In using the tool of analogy this writer discovered that there exists aspects of likeness, as well as that of contrast. The Song becomes, in a sense, a parable in which the allegorical interpretation of the Song is not considered in its traditional sense. Utilizing the Drama Theory, the principle characters in this consideration are the Shulamite woman, the Rustic lover, and the king. There are reflective qualities that exist in the Song of Song to Chapters two and three of Genesis. As noted by Francis Landy, ''The Song is a reflection on the story of the garden of Eden, using the same images of garden and trees…''.