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马一浮“六艺论”之逻辑结构探析
引用本文:张宏敏. 马一浮“六艺论”之逻辑结构探析[J]. 贵州文史丛刊, 2014, 0(4): 73-77
作者姓名:张宏敏
作者单位:浙江省社科院哲学所 杭州 310007
基金项目:本文系“中央高校基本科研业务费专项资金资助课题”、“浙江大学国际马一浮人文研究中心专项资助课题”--《马一浮与道家道教研究》阶段性研究成果之一.
摘    要:"一代儒宗"马一浮先生的主要学术贡献在于创立了以"六艺论"为主体的新儒学理论体系,在这个"六艺论"的学术思想体系之中,《论语》、《孝经》犹如两大柱石,占有基础性地位;《诗》《书》《礼》《易》《乐》《春秋》则成为"六艺之教"学理体系得以发挥阐释的主要内涵。马一浮的新经学的方法论意义在于提倡六艺之学两两涵摄、相互融通、总别不二、圆融无碍,从而在当代新儒学思潮建构之中开创了一种特色鲜明的经典诠释学新范式。

关 键 词:马一浮  六艺论  逻辑结构

The Logical Structure of Ma Yifu "Six Art Theory"
Zhang Hong-min. The Logical Structure of Ma Yifu "Six Art Theory"[J]. Guizhou Historical Studies, 2014, 0(4): 73-77
Authors:Zhang Hong-min
Affiliation:Zhang Hong-min ( Institute of Philosophy ,Zhejiang Academy of Social sciences, Hangzhou, 310007 )
Abstract:The major academic contribution of Ma Yifu was that he created Neo-Confucianism theory system which of the Six Art Theory. In the Six Art Theory, Lun-Yu, Xiao-Jing, as if the two pillars, held the foundational status. Sh,Shu,Li,Yi,Yue,Chun-qiu were the main content to make Six Art Theory system further explain. The significance of his methodology was to advocate mutual intermingle of six arts, thus creating a new paradigm of distinctive classical hermeneutics in the contemporary new Confucianism.
Keywords:Ma Yifu  Six Art Theory  Logical structure
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