Oracular Ventriloquism: Political Theology in The Female American

ABSTRACT

This essay scrutinizes a scene of colonial religious conversion that appears in the pseudonymous 1767 novel, The Female American. The protagonist's use of ventriloquism and indigenous technology to create the illusion of divine intervention is considered in the light of Carl Schmitt's suggestion that secular political power inherits and translates forms of pre-modern theological authority. The novel's dual investments in proto-feminist literary representation and Anglican missionary proselytism are in tension with one another and help to explain the central character's ambivalence toward her inventive mode of conversion. Hence, the novel dramatizes the Euro-colonial disavowal of theological and decisionist force while, at the same time, hinting at the democratizing potential of forms of fictional address.