Cultures of Border Control: Schengen & the Evolution of European Frontiers

This paper traces, and is the traces of, a collective project to render a neighbourhood queer. It is a project that emerges from queer social relations. Academic research and knowledge generation are approached collaboratively by working with queer-identified residents from west-central neighbourhoods in Toronto, Canada who volunteered with the Queer West ShOUT Youth Program. Within the context of two participant-facilitated discussion events, we discursively and artistically investigate queer world-making in the neighbourhood of West Queen West. Through collective mental mapping and photovoice renderings we interpret the queering of urban space as a queer utopian impulse. We critically examine the ‘concrete utopia’ of Queer West Village and question its resonance in the lives of ShOUT volunteers. Theoretically inspired by Muñoz, our ‘a/r/tographic’ mode of inquiry and critical praxis are a rendering of ‘queer futurity.’ We draw on our past to critique our lived present so as to imagine future potentialities. We do so in order to argue that it is vital that the queerness we individually and collectively strive for at the spatial scale of the neighbourhood, such as the process of place-making itself, is grounded in material experience yet remains provisional and an ideality that motivates us.