| 陈夔龙《花近楼诗存》初论 |
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| 引用本文： | 李然,李立朴. 陈夔龙《花近楼诗存》初论[J]. 贵州文史丛刊, 2013, 0(3): 83-90 |
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| 作者姓名： | 李然 李立朴 |
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| 作者单位： | 1. 贵州师范大学文学院 贵州贵阳550001
2. 贵州出版集团公司 贵州贵阳550004 |
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| 摘 要： | 《花近楼诗存》是陈夔龙辞去直隶总督职务后在津沪租界十六年间创作并自编的系列诗集,时代虽已进入民国,但他秉持忠于前朝的封建道统,坚守士大夫的文化立场,并与同光体的代表诗人一起探索古典诗歌的各种形态,获得了同时代传统诗人和文学史家的尊重和认可。
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| 关 键 词： | 陈夔龙 《花近楼诗存》 同光体 文化坚守 |
On Chen Kuilong's Huajinlou Collected Poems |
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| LI Ran , LI Lipu. On Chen Kuilong's Huajinlou Collected Poems[J]. Guizhou Historical Studies, 2013, 0(3): 83-90 |
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| Authors: | LI Ran LI Lipu |
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| Affiliation: | 1.Guizhou Educational Publishing House, Guiyang Guizhou 550004, China 2. Guizhou Publishing Group, Guiyang Guizhou 550004, China) |
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| Abstract: | Huajinlou Collected Poems is a serious of collected poems of Chen Kuilong. He composed and edited it by himself during the sixteen years when he stayed in Tianjin and Shanghai settlement after he resigned his official position of Zhili governor-general. He held feudal orthodoxy of previous dynasty continuously, although it has entered the era of the Republic of China. He stuck to the cultural stand of scholar-officials and sought the various forms of poems with the typical poets of Tongguangstyle. Because of these, he obtained the esteem and approbation of traditional poets at that time. |
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| Keywords: | Chen Kuilong Huajinlou Collected Poems Tongguang style the cuhural stand |
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