Border historicity and ethnographic rupture: Pirates,Korean Kings and borderlanders in transnational Tsushima Island,Japan

Tsushima’s community festival commemorates Tsushima’s admirable borderland diplomacy in the pre-modern East Asian politics. This indigenous historicization in performance, nevertheless, fails to resonate with ethnographic reality: anthropological fieldwork revealed that local culture differs considerably from postcolonial ritual imaginings and historicity, illuminating a discontinuity between the past performed and the present observed. A rupture exists between borderland imagery as a coherent Japanese state boundary and the ethnographic reality of an uneven liminal frontier between Korea and Japan. In order to make sense of the ethnographic ruptures, this article constructs the border-centric ethnohistory through the lens of and experiences of the border, defying a state-centric past. I de-essentialize border-state relationship, accentuating border spontaneity and contingency between and beyond the power of sovereignty – a paradoxical Janus-faced process of contradiction and negotiation. I argue that it is Tsushima’s historical metamorphosis that stands out in history, not its subjugation to the power of either state.