Inscribing nature: Archaeological metaphors and the formation of new sciences

Abstract

Ghanaian authorities restored Cape Coast Castle and Elmina Castle as memorials to the transatlantic slave trade in order to draw African Americans to Ghana. While this was a positive development for a travel industry that rarely caters to diaspora African needs, the Ghanaian initiative has evoked strong criticisms from concerned African Americans who feel that the restoration has erased the monuments' associated images of slavery and has removed the desired experiential effect. I focus on the complex interplay of these concerns, African Americans' previous attempts to preserve some of these monuments and the history of structural changes to the monuments. These complex issues require several layers of analysis. I situate my discussion within the debate of whether there is any such thing as original monuments and whether there is a necessary correlation between monuments per se and the experience of historical reality. For African Americans, such a strong relationship can be established. The preservation of these monuments, of global significance, calls for an international dialogue based on respect, tolerance and sensitivity.