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“Alles ist Blatt”. Über Reichweite und Grenzen der naturwissenschaftlichen Sprache und Darstellungsmodelle Goethes
Authors:Uwe Prksen
Institution:Uwe Pörksen
Abstract:The essay will elaborate on the following aspects of the selected topic: 1) Goethe's scepticism of language: An apprehension of the almost unbridgeable gap between language and the world of objects constitutes the starting point in his approach to language. — 2) The paradoxical nature of the objective world: The paradoxical character of the realm of natural science is a second starting point: Goethe first attempts the logically ‘impossible’, namely to capture simultaneously that which at a higher level is identical and at the empirical level visibly distinct, that which is both static and changing, the uniformity of the kingdom of nature and its multiplicity; he proceeds to undertake a translation of this into a mode of representation accessible to the mind's eye. — 3) Goethe's scientific models of representation: Goethe's models, which graduate from variation of synonym through the exploitation of multifarious fields of imagery to the free juxtaposition of different text-forms each providing its own perspective, serve to resolve the problems outlined in 1 and 2. Form is cognition, its value being not principally aesthetic but heuristic. 4) The scope and influence of Goethe's language: The product of Goethe's scientific efforts is a standard transparent language, both vivid and explanatory, capable of concisely delineating exceedingly complex circumstances and interactions. Even in some spheres of science its influence extended to the beginning of the twentieth century, facilitating the dialogue between disciplines. — 5) The limitations of this language: One of the clear limitations of this language shows itself to be its close adhension to visual perception: its dread both of abstraction, with its disregard of objective fields of reference, and of the formalised language of mathematics. — 6) The shadow of abstraction: Since the eighteenth century the world has lived in the increasingly dark shadow of an abstraction, which has assumed new dimensions in the laboratory-like world of today. — 7) Distance to Goethe: From a present-day persepective Goethe's science appears as distant legend.
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