处处是江南:中国古代耕织图中的地域意识与观念

从南宋楼璹《耕织图》始,我国历史上先后创绘了几十套体系化的耕织图,而它们基本上又是以"江南"为具体描绘区域的。这种情况的出现,与唐宋以后"江南"的重要地位及其象征意义直接相关的。首先,农业经济的发达使"江南"成为重农、劝农的"示范"之地;其次,浓厚的文化艺术氛围,加之创作者心目中的江南情怀与意识,促进了"江南"场景的表现与传播;再次,作为王朝统治合法性的重要隐喻与象征,使"江南"受到历代统治者的高度重视。这一现象背后,深刻体现出古人的地域意识与观念。

All is Jiangnan:Regional Consciousness and Concept in Ancient Farming and Weaving Pictures

Since the Pictures of Tilling and Weaving(Gengzhitu)designed by Lou Shu in Southern Song Dynasty, there have been dozens of systematic pictures of tilling and weaving in China history. Almost all the pictures were depicted with Jiangnan Area. The reason for this is directly related to the important position and symbolic meaning of Jiangnan Area after the Tang and Song Dynasties.First of all, the development of the agricultural economy has made Jiangnan a demonstration for agriculture development.Secondly, the strong cultural and artistic atmosphere, combined with the Jiangnan feelings and consciousness in the eyes of the picture creators, has promoted the performance of the Jiangnan scene. Thirdly, as an important metaphor and symbol of the legitimacy of dynasty ruling, Jiangnan has been highly valued by the rulers. Behind this phenomenon, it deeply reflects the regional consciousness and concept of the ancient times.