清东陵裕陵彩画补绘修复设计思考

以往人们对建筑彩画更多的是关注其个体的保存状态,在我们承担清东陵裕陵维修工程中,发现对裕陵建筑彩画的价值评估仅仅以局部真实与完整的角度观照还很不够,尤其是通过对裕陵单体建筑彩画的现状勘察,裕陵建筑彩画属旋子彩画类型,其单体彩画配置存在等级差异,比较其他清代陵寝建筑彩画,清代陵寝建筑彩画的总体配置似有传承古制的观念影响.同时,陵寝建筑有明确年代,使陵寝彩画具有时代样本价值,再由裕陵建筑彩画纹饰差异、配置关系的发现,引发本文对裕陵建筑彩画价值评估和补绘意义的探讨.

Reflections on the Restoration Design for Paintings at the Yuling of Eastern Qing Tombs

In the past, scholars of architectural color paintings were mostly concerned with the paintings＇ individual physical status. This working notion that focused on the authenticity and integrity of partial components, however, proves to be insufficient according to value evaluation of＇ paintings at the Yuling of Eastern Qing Tombs. The survey of paintings on the Yuling＇ s individual buildings reveals that the paintings belong to a particular xuanzi style with hierarchy between distinct individual pieces. Also, a synthetic analysis demonstrates that Qing＇s tomb paintings generally derive from ancient patterns. Meanwhile, because the construction dates of the tomb buildings have been clearly marked, the paintings alSO reveal temporal connotations. The distinctions in the paintings＇ pattern and their inter-rela-tionship also imply the implicit value of the works and the meaning of restoration.