| Abstract: | This article analyses Algeria's ongoing 'civil war' through the lens of contemporary Algerian theatre. Specifically, it examines the relationship between Algeria's unsuccessful transition to democratic, religious pluralism and Alek Baylee Toumi's 1996 play, Madah-Sartre . Among the prominent themes covered are the issues of gender equality as represented in the efforts of Khalida Messaoudi (Toumi's sister) to resist the 1984 Algerian Family Code; the rise of Islamic radicalism; the legacy of the philosophy of Jean-Paul Sartre and Simone de Beauvoir within contemporary Algerian intellectual and political communities; the problem of Islamic and state-sponsored terrorism; and the effects of the Islamic radicals' policies of assassinating Algerian intellectuals on the Algerian community in the diaspora. |
