Abstract: | Using the unpublished archives of Jean Norton Cru, held at the University of Aix-en-Provence, this article provides a new interpretation of Cru's famous book on First World War literature, Témoins, first published in 1929. This work severely criticised a large number of books of soldiers' experiences of combat. Here a new reading of Cru's motives is offered, looking in particular at the author's Protestant background as well as at the links between reading and writing strategies. |