Jewel of the Pacific and planter's paradise

A 10‐week series with 60 photographs on the Solomon Islands was not unusual in illustrated newspapers and magazines in the early 20th century, and The Queenslander was maintaining a pattern of photographic imaging of sub‐empire going back to the 1890s, concentrating on possible post‐war colonial realignments, appropriateness of British policy and the economic and political roles Australians would adopt if a formal relationship existed with the Solomon Islands. In calling for a greater presence in 1917–18, The Queenslander was supported by expansionists, missions and traders, shipping companies and readers with personal links through work, investment, friends or missions. This essay acknowledges the role of photography in Australian relations with the Pacific, its role in shaping public opinion, and the access it offers to the history of Australia's diverse regional links and particularly its thwarted claims for a closer relationship with the Solomons, depicted optimistically as a planter's paradise and a potential addition to an Australian sub‐empire.