Gender, representation, and power in San ethnography and rock art

Interpretation of San rock art has been heavily dependent on the various San ethnographies, particularly those of the /Xam, who inhabited the northern Cape Province, South Africa, until the early 20th century. A different reading of these ethnographies enables another avenue of interpretation: the interlinked themes of gender, sexuality, and rain appear to be as important in the art as shamanistic elements (reference to which has been a key development in understanding the art). While interpretation centering on the trance dance, recorded ethnographically from recent and contemporary San groups, has been most productive, many features of the art may be related to other aspects of San culture—to the female initiation ceremony, social organization, and the complex of notions and practices surrounding feminine gender and female sexuality.