| 伏虎罗汉、行脚僧、宝胜如来与达摩多罗——11至13世纪中国多民族美术关系史个案分析 |
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| 引用本文： | 谢继胜.伏虎罗汉、行脚僧、宝胜如来与达摩多罗——11至13世纪中国多民族美术关系史个案分析[J].故宫博物院院刊,2009(1). |
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| 作者姓名： | 谢继胜 |
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| 作者单位： | 首都师范大学美术学院; |
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| 摘 要： | 本文从分析宁夏贺兰山山嘴沟所见伏虎罗汉入手,梳理了汉藏罗汉图像的差异,重点考察了藏传佛教罗汉中伏虎罗汉、布袋和尚与达摩多罗图像的来源。作者认为,达摩多罗名号与图像的形成与吐蕃禅宗、禅宗保唐派、唐五代行脚僧及其变化的宝胜如来信仰密切相关,并与佛陀波利以及流行于两宋的布袋和尚信仰相互交织。论文解释了新罗僧与宝胜如来的信仰如何引发藏传罗汉达摩多罗与宁夏贺兰山之间特殊的联系,这些错综复杂的信仰与图像演变是中国11—13世纪多民族美术关系史的集中映现。
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| 关 键 词： | 伏虎罗汉 行脚僧 宝胜如来 达摩多罗 吐蕃、西夏、蒙古与汉地艺术交流 |
Fuhu Luohan(Crouching Tiger),Xingjiaoseng(Itinerant Monk),Baosheng-Rulai(Ratnasambhava)and Damoduoluo(Dharmatrata):An Analysis of Individual Cases of Chinese Multicultural Artistic Relationships from the 11~(th) to the 13~(th) Centuries |
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| Xie Jisheng.Fuhu Luohan(Crouching Tiger),Xingjiaoseng(Itinerant Monk),Baosheng-Rulai(Ratnasambhava)and Damoduoluo(Dharmatrata):An Analysis of Individual Cases of Chinese Multicultural Artistic Relationships from the 11~(th) to the 13~(th) Centuries[J].Palace Museum Journal,2009(1). |
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| Authors: | Xie Jisheng |
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| Institution: | Xie Jisheng |
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| Abstract: | The author begins by examining the images of Fuhu Luohan that appear at Shanzuigou in the Helanshan mountains of Ningxia and examines the different images of Chinese and Tibetan arhats,focusing on the origins of the images of the Tibetan Buddhist arhats-Fuhu Luohan(Crouching Tiger),Budai-Heshang(Cloth Bag Monk)and Dharmatrata. The author argues that the formation of the titles and images of Dharmatrata are intimately related to the evolution of the beliefs of the Tubo Chan school,the Chan Bao Tang school an... |
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| Keywords: | Fuhu Luohan(Crouching Tiger) Xingjiaoseng(Itinerant Monk) Baosheng-Rulai(Ratnasambhava) Damoduoluo(Dharmatrata) art interchange between Tubo Xixia Mongol and Han areas |
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