Men and the Desert: Contested masculinities In Ice Cold in Alex

This article explores the relationship between space, identity and film through the war film genre and in particular Ice Cold in Alex (1958). Although war films have suffered particular neglect by geographers, their appeal is enduring, helping to shape British national identity and popular constructions of masculinity. Through an analysis and critique of the film, this article makes two interconnected points. First, it highlights the value of film to geographers as a creative medium in which spaces and identities are imagined, (re)created, contested and negotiated. Second, it brings recent work on masculinities to bear on a detailed examination of Ice Cold to illustrate how war films have produced and sustained a specific unconventional form of heroic masculine British national identity through the passage of an ‘off-road’ movie. Here we demonstrate that masculinities are forged not only in the maelstrom of power interrelationships between men and other men and between men and women, but also importantly in relation to the landscape, in this example the desert as other. This glimpse allows us to challenge hegemonic norms as well as the construction of the desert as an active agent in the co-construction of the main characters' identities.