Ghost hands,hands of glory,and manumission in the fiction of Sheridan Le Fanu

This essay corrects a critical blindspot in the study of Anglo-Irish literature through contextualising meanings of the hand as they appeared in the fiction of Joseph Sheridan Le Fanu (1814–73). From stylised fetish object in ‘An Authentic Narrative of the Ghost of a Hand’ (1863), to symbol of the author's presence in the text in Wylder's Hand (1864), to centrepiece of a dizzying referential system in ‘The Haunted Baronet’ (1870), Le Fanu's fiction demonstrates significant indebtedness to the legend of the ‘hand of glory’. Le Fanu used this rich reference point to express the terminal insecurity of the social masters who are not free, who are in fact themselves enslaved and stupefied for reasons beyond their control. With the spectre of Catholic resurgence in mid-nineteenth-century Ireland, the impossibility of manumission from the hands that haunt functioned as a reminder of the weight of the past in Le Fanu's literary imagination.