| Abstract: | During the early 20th century, Western adventurers sought encounters with and images of Pacific people to entertain white audiences. But they were often reliant on resident European missionaries to facilitate their access to the glamorous Other. Missionaries were themselves also creators of Indigenous representations intended for Western consumption, to raise support for their enterprise. This paper examines the uneasy relationship between these groups by bringing together archival resources from disparate disciplines – colonial-era adventure-travelogue and mission history – to uncover an unacknowledged relationship between the American film-maker and photographer Martin Johnson and Australian Seventh-day Adventist missionaries in Vanuatu between 1917 and 1920. My focus is a Big Nambas village on Malakula, Vanuatu, which found itself the nexus of conflicting colonial gazes. Representations of its headman Nihapat, refracted through the lenses of a travelogue-adventurer and the narratives of missionaries, highlight Indigenous agency as he and his people contended with their predicament under colonialism. |
