| 论姚华戏曲理论中的“俗”与“真” |
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| 引用本文： | 刘铭,耿祥伟. 论姚华戏曲理论中的“俗”与“真”[J]. 贵州文史丛刊, 2010, 0(4): 86-91 |
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| 作者姓名： | 刘铭 耿祥伟 |
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| 作者单位： | 复旦大学中文系,上海,200433 |
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| 摘 要： | 姚华通过大力弘扬戏曲的＂俗＂性所带来的社会教化作用,来放大戏曲的社会价值,从而提升戏曲的社会地位。其戏曲理论中的＂真＂,主要包括＂真情＂与＂真事＂两个层面,所谓＂真情＂,是指戏曲要抒发真情实感,而＂真事＂则涵盖了相应的两层含义：一是戏曲中自然景物描摹的逼真;二是戏曲所叙之事的历史真实性。
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| 关 键 词： | 姚华 戏曲理论 俗 真 |
On the "custom" and "true" of Yao hua Chinese opera theory |
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| Liu Ming,Geng xiang-wei. On the "custom" and "true" of Yao hua Chinese opera theory[J]. Guizhou Historical Studies, 2010, 0(4): 86-91 |
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| Authors: | Liu Ming Geng xiang-wei |
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| Affiliation: | Liu Ming Geng xiang-wei(Fudan Univeisity Department of Chinese languages and literature,Shanghai 200433) |
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| Abstract: | The ＂custom＂ of Yao hua Chinese opera theory,that is,he want to enhance the social status of opera through promoting the opera ＇conventional of social nature in order to enlarge the social educational value of drama.Yao hua Chinese opera theory of ＂true＂,including ＂True＂ and ＂real thing＂,so-called ＂truth＂ that is to be Opera to express their true feelings,while the ＂real thing＂ covers the second floor of the corresponding meanings： first,drama depicting the natural scenery of the real;second,opera of things as described in historical authenticity. |
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| Keywords: | Yao hua Chinese opera theory custom rue |
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