古代绢画补配修复工具研制的探讨

针对在古代绢画补配修复中,面对古今材质与装裱要求不一、病害种类不同的情况,为将现代的绢绫线与文物的经纬线更好地匹配,研制了一种绢绫刮口刀。此刀由八个点形成的一条线或一个面作为刮口工作的状态,可以避免绢画修复中常用工具——马蹄刀、美工刀以点为工作面的刃口所产生的倾斜角度力点小且刀刃的点难以控制易伤及画心等缺点。虽然研制的绢绫刮口刀在修复明代绢本水陆画《七宿星君水陆道场图轴》的补绢刮口步骤中发挥了很好的作用,但作为非物质文化遗产的苏裱技艺如何科学化,还需不断地探讨。

Discussion of the tools for the restoration of ancient silk paintings

A scraping knife has been developed to better match modern silk threads with the warp and weft lines of silk cultural relics during the restoration of ancient silk paintings, in response to the different requirements for materials and mounting of ancient and modern times and various types of diseases. This knife is formed by a line or a surface with eight points as the scraping state, which can avoid the drawbacks of the commonly used tools for silk painting restoration, such as horseshoe knives and art knives, which have a small inclination angle force point and are difficult to control and can easily damage the painting core. Although this silk scraping knife has played a good role in restoring a Ming Dynasty silk painting, the scientific applications of Su Mounting technique as an intangible cultural heritage still needs to be continuously explored.