Abstract: | The early twentieth century is a period in colonial Indian history marked, among other things, by nationalist explorations of what was commonly described as the upper middle‐class, Hindu high caste ‘woman's question’. In the process, gender roles and responsibilities in public and private spheres were being contemplated and negotiated in oral and written forms. This essay explores the text‐image combinations and relationships in a mainstream Hindi literary periodical published in North India in the 1930s. It focuses specifically on the gendered visual narrative that emerged from this periodical's engagement with the role of women in the Hindi public and private spheres. It argues that through the combination of text and image, the reader of the Hindi periodical Sudha was presented with verbal and visual messages that were deeply embedded in debates on literary and cultural nationalism. |