| Abstract: | Political print satire, construed as an articulation of sedition and dissent, is most commonly associated in Britain with its 18th-century ‘Golden Age’. Beyond Victorian fiction, the go-to 19th-century source tends to be the hegemonic, London-centric Punch. It is not widely known that, as Punch mellowed and popularised in the 1860s and 1870s, England's booming urban centres gave rise to a distinct form of citizen journalism which used boisterous satire as an effective vehicle for sociopolitical comment, evidence-based analysis and civic activism. Not only did the provincial satirical periodical filter parliamentary affairs through a critical provincial lens but at a time when politics were largely local, it engaged with the extra-parliamentary power vested in civic and municipal governance. It aspired to much more than diversion through witty posturing. Morally and ideologically inspired, fuelled by righteous indignation, it successfully used the protest of the pen to agitate in the cause of social and political reform, demonstrating the ‘everyday’ resistance and common sense essential to liberal governmentality. Referencing some of the most enduring and respected examples of the genre – the Porcupine in Liverpool, the Town Crier in Birmingham and the Free Lance in Manchester – this article casts light upon this poorly understood journalism of conviction. A cause and effect of both emotional and intellectual release, it serves as an excellent example of citizenship as performed political passion, in an age of public conformity and restraint. |
