略述中国古旧绢本书画的修复

中国具有两千多年历史的书画艺术,载体一般均为缎本、绫本、绢本和纸本,由于年代久远,绢、纸老化,以及人为和自然因素,疲破成为客观趋势,然而在书画艺术的继承和保护中,形成了中国书画修复装裱的特殊工艺技术。本工作通过探索、研究和实践,总结在中国古旧绢本书画修复中,对画芯的清洗、揭芯、补洞、托芯、全色接笔等五大工序和工艺技术操作的认识体会,通过两幅画和书法作品的修复前后的对比,说明五大工艺和工艺技术操作是成功的。通过总结使感性经验提升为科学理论,可更有效地指导古旧绢本书画的修复实践。

Review of the restoration of China's old painting

The history of Chinese painting and calligraphy whose carrier was generally silk or paper,was more than two thousand years. Because of the long history, the damage of the silk and paper due to aging or other natural and artificial factors is inevitable. During their conservation and restoration, a special mounting technique was developed. Through researches and experiences, this study has summarized the working procedure:painting cleaning, back paper removing, hole mending, painting paper remounting, and inpainting. By comparing two pieces of painting and calligraphy before and after restoration, the mounting technique was approved. A scientific restoration theory was developed during the practical experience, which may effectively direct the restoration of Chinese old painting.