赵尔巽与清季狱制近代转型研究简

赵尔巽的罪犯习艺所主张,其实与其长期在地方开办自新所或称自新习艺所的治理实践密切相关的,而非无根之水,更非效法西制。赵尔巽在任职地方创设的自新所,兼有惩戒、教化与施善的职能,这在某种程度上与西方近代狱制理念有一定的暗合,但是却更多的是对清代中叶很多地方自新所的开办实践的借鉴与改进,不可不谓是传统资源的现代转型。     

Christmas in the Workhouse: Staging Philanthropy in the Nineteenth-Century Periodical

This article provides an overview of the representation of workhouse philanthropy in the nineteenth-century periodical. In the 1830s and 40s, the popular representation of the workhouse was of a cruel institution in which paupers were systematically beaten and starved. However, the ideological significance of the workhouse shifts in the depictions of privately funded philanthropy that proliferated in magazines and newspapers during the Christmas publishing season. In representations of the workhouse at Christmas, paupers are shown receiving gifts and enjoying entertainments against a festively decorated backdrop. Middle-class benevolence is at the heart of these Christmas performances: these treats are not funded by the poor rates, but by individuals, who are frequently depicted in attendance at the workhouse Christmas. The institution, now redolent with ideas of care, charity and goodwill, functions in these texts as a stage for the projection of a bourgeois philanthropic self; the reader, the audience of this ideological performance, is encouraged to self-identify with the middle-class values that overlay these workhouse scenes. Entwined with these depictions of private philanthropy are underlying ideas of discipline and control. Just as the middle-class guests enact an idealized identity, so too do the paupers enact the role of the indebted and grateful poor. This article examines how the nineteenth-century periodical constructs the workhouse as a performance space for the middle classes; it explores the various agendas of these constructions and analyses the ideological messages they convey.     

“An Irregular and Inconvenient Pile of Buildings”: The Destitute Asylum of Adelaide, South Australia and the English Workhouse

The Destitute Asylum of Adelaide, South Australia, was the subject of a rescue excavation in 1983. This paper seeks to explore the possibilities for further archaeological research that can arise from a reconsideration of reports generated by such excavations. Using documents, plans, photographs, and the Asylum buildings as material culture in much the same way as artifacts are used, the research focuses on the questions of space and room use within the Destitute Asylum.