Visualising everyday geographies: practices of vision through travel-time

Responding to recent debates in human geography on the need to explore more complex renderings of everyday visuality, this paper explores some of the fluid relationships between everyday visuality, materiality and mobility through practices of contemporary railway travel in Britain. Based on extensive empirical research, this paper explores three different but related visual practices experienced during the course of a railway journey. First, it looks at how sublime forms of vision emerge to produce a variety of passive embodied effects. Second, it looks at how more attentive visual practices are implicated in the temporal organisation of the journey and have the capacity to activate changes to routine. Third, it looks at how the physical materiality of the carriage interior serves to mediate the visual field in particular ways and gives rise to a series of freedoms and constraints. Whilst the visual consumption of landscapes viewed through a window is often taken to be an axiomatic part of the travelling experience, this paper demonstrates the importance of apprehending how a multiplicity of visual practices affect how perceptions of time, space and location unfold over the course of a journey.     

Beneath and before: continuums of publicness in public art

Public monuments traditionally appear in high contrast to their landscapes, an effect that sets aesthetic, ideological and social distances. However, Manmale, counter-monuments, and counter-hegemonic monuments (eg the AIDS quilt, Rachael Whiteread's House, Melbourne's Another View Walking Trail, Tiananmen's Goddess of Democracy, or Maya Lin's Vietnam Memorial), challenge the norms of monuments in visuality, fixedness, and permanence, and suggest intricacies which mediate the interactivity of art, site and passers-by. In this paper, I consider three counter-hegemonic monuments in Vancouver, British Columbia – all installed in 1997/98 and all dealing with the issue of violence – sited within one neighbourhood. Via archival research, interviews, and extensive participant observations investigating how the monuments actually function in social memory rituals, I discovered that the characteristics of publicness in the landscapes that lay ‘beneath and before’ the monuments deeply affected their origins, designs, and current uses.     

Visibility Graph Analysis and Monumentality in the Iron Age City at Kerkenes in Central Turkey

Abstract

This paper investigates symmetry and visualization at two monumental gateways excavated in the late 7th–6th centuries b.c. Phrygian city on Mount Kerkenes (Turkish: Kerkenes Da?) in central Turkey. One of these, the Cappadocia Gate, is one of seven city gates piercing the 7 km stone-built defenses; the other is the Monumental Entrance to the Palatial Complex. We use visibility graph analysis (VGA), a branch of space syntax analysis, and viewshed isovists to demonstrate that a similar visual and symbolic conception underlay the design and furnishing of these two gates. Both were conceived to signal different messages to people entering and exiting the gates, and both manipulated the visibility of cultic statuary to achieve this effect. Other contemporaneous monuments, like the Midas Monument in the Phrygian Highlands, shared many of the same principles. VGA reveals fundamental characteristics of the experience of Phrygian monumental architecture and also indicates a degree of city planning.     

None daring to make us afraid

ABSTRACT

J.W. Breyer, the young South African military administration's first game warden in Namibia, was based at Namutoni on the south-eastern margin of the Etosha pan. Breyer died a lonely death and a meticulous inventory was rendered of Breyer's estate. Viktor Franke, the German commander in south-western Africa, and Cocky Hahn, the second South African commissioner of native affairs stationed at Ondangwa, similarly left a visual record of their intimate surroundings. An itinerary of their material worlds and hence of colonialism in Namibia is here revealed using photographs and other evidence, highlighting some of the complexities of the cultural practices of colonial administration and policing in southern Africa.     

Eclectic and pragmatic: the colours of Dutch social and cultural geography

In the Netherlands, human geography has traditionally been an applied, practical science. Close ties have always existed with spatial planning and regional-economic policy. With good reason, the first generation of planning specialists—in the 1960s—consisted largely of people trained as geographers. Geographers were also the socio-spatial engineers of the welfare state (de Pater 2001b; de Pater and de Smidt 1989).