Anna Letitia Barbauld's ‘To Mr. Barbauld,with a Map of the Land of Matrimony’ and the History of Sentimental Cartography

Anna Letitia Barbauld's poem ‘To Mr. Barbauld, with a Map of the Land of Matrimony’ (1775; 1825) and its illustrated companion piece, ‘A New Map of the Land of Matrimony, Drawn from the Latest Surveys’, first published anonymously by Joseph Johnson in 1772 but attributable to Barbauld, show their creator playing in original ways with courtly and libertine variants of the map of love and marriage: a genre of allegorical and sentimental map tracing its provenance to ‘La Carte de tendre’ or ‘The Map of the Country of Tenderness’, conceived by Madeleine de Scudéry for inclusion in her multi-volume prose romance Clélie (1654–61) and given illustrated form by François Chauveau. Taken together, map and drawing indirectly serve to illuminate Barbauld's complicated position within Enlightenment feminism and invite new insights into her relationship with the canonical male Romantics, reaffirming her status as a key transitional figure between Neoclassicism and Romanticism in the contribution she makes to the historical debate over the relationship between different arts (and, more specifically, to the historical debate over the relationship between the visual and verbal arts).     

Nomadic,ecstatic, magic: Arctic primitivism in Scandinavia around 1900

The aim of this article is to delineate the term “Arctic primitivism” in an aesthetic context and, by means of three examples from Scandinavian artists whose works were also the subject of ethnological discussions, to give an illuminating impression of Scandinavian Arctic primitivism around 1900. First some conceptual considerations about the combination of Arctic and primitivistic discourse will be presented. Then three examples for the “primal conditions” of an aesthetic conception of Arctic primitivism will be discussed: the nomadic, the ecstatic, and the magical. They serve as counter principles to modern categories such as spatial fixedness, linear chronology, and rational thought. Emilie Demant Hatt’s visual art stands for the nomadic principle; the Swedish cartoonist Ossian Elgström deals with ecstatic states; and the poems of Danish “eskimologist” William Thalbitzer show his fascination with indigenous magical incantations as an alternative to rational thought. All examples illustrate the artists’ interest in an authentic and uncorrupted culture, which they reflect on with awareness of inauthenticity and second-hand acquisition. The effects of duplication, simultaneity, and secundarity arising from the three principles drive a reflective discourse on media through which awareness of the crisis of modernity is sublimated, revealed, or made the subject of artistic exploration.     

我国古典诗歌传统对新诗的影响

从"五四"运动到今天,新诗已经走过了80多年的历程。这一历史进程曲折复杂而又历尽艰辛,从文化传统和美学的角度看,新诗与古典诗歌不但没有不可逾越的鸿沟,而且有着谁也不能割断的民族的血缘。我国古典诗歌传统对新诗有着深远的影响。     

洪业对顾颉刚的学术影响

洪业对崔述《知非集》、《荍田剩笔》等著作进行研究,系统梳理了崔述著作的版本流传、学术思想和生平事迹,这对顾颉刚整理和编订《崔东壁遗书》是有价值的。洪业主持的哈佛燕京学社引得编纂处支持了顾颉刚的《尚书》研究。在《禹贡》半月刊、禹贡学会的创立和以通俗读物的形式宣传抗日的工作中,洪业作出了自己的贡献,这些都对顾颉刚的学术产生了有意义的影响。     

论中国古代治边思想的特点、演变和影响

古代治边思想大体形成于秦汉,发展和延续至清代,其内涵是动态变化的,经历了从肤浅到成熟的过程,各个时期的治边思想又有其特色。古代治达思想总体上有两个基本的特点：统治对开疆拓土多持相对保守的态度,认为理想的边疆治理是“守在四夷”;从“华夷有别”的治边观出发,在边疆地区施行相对宽松的羁縻统治,同时重视在边疆传播封建化的教化作用。章还以封建统治对边疆民族的治策和对边疆的经济开发为例,阐述了古代治达思想对边疆治策的广泛影响。     

INTELLECTUAL HISTORY CONFRONTS THE LONGUE DURÉE

This review of John Potts's Ideas in Time: The Longue Durée in Intellectual History discusses the advantages and disadvantages of writing intellectual histories that embrace the longue durée. It applauds Potts's concise account of historiographical discussions of continuity and discontinuity in the history of ideas in the last seventy-five years but laments his failure to discuss the contributions of historians of science and scholarship to the practices of knowledge-making and to the transmission of ideas. It suggests that the study of discontinuities can also be rich and revealing, and it proposes one approach to understanding the ways in which ideas go out of fashion. It concludes by noting, first, that the models that contemporary historians of ideas adopt also have to do with book-market opportunities and pressures and, second, that we have work to do to engage our contemporaries and students in whatever form of intellectual history we choose to write.     

Evaluating Stakeholder Participation and Influence on State-Level Rulemaking

Despite sustained attention to the role of stakeholders in policymaking—both in legislative and regulatory venues—we lack a systematic understanding of whether and when stakeholders wield influence over decisions. This is particularly true regarding state-level rulemaking in the United States, which has become an important venue of policy action as federal policymaking is increasingly stymied. Although the specifics of the rulemaking process vary to some degree across states, determining whether common patterns of stakeholder influence exist across states and issue areas can advance our understanding of regulatory institutions more broadly. This study contributes to the growing body of scholarship on state-level rulemaking by analyzing the ways in which stakeholders participate in rulemaking processes and the effects on rulemaking decisions of such participation in three policy domains across five states. We find that while industry may be influential during rulemaking across cases, consequential opportunities for non-industry stakeholders to influence regulatory decisions also exist.     

The City Evita Built. Cinematic Childhood and Peronism in Luis César Amadori’s Soñemos (1951)

This article examines the under-studied film productions known in Peronist Argentina as “docudramas”. Placing documentary elements within a fictional plot, docudramas marked a significant change in the state propaganda machine and were used as a new vehicle to influence social habits. I focus particularly on Soñemos [Let’s Dream], a short film directed in 1951 by Luis César Amadori to showcase urban reforms. Through an analysis of Amadori’s docudrama in regard to its representation of the Children’s City built by the Eva Perón Foundation, I discuss relationships between entertainment, the constitution of a political hegemony, and modernisation. With film techniques such as the dissolve, Soñemos depicts the Children’s City as an enterprise capable of delivering material happiness and amplifies the narrative of a fairy tale come true promised by Evita’s social service programmes. Ultimately, the docudrama affirms the central role played by the state in the definition of the “right to a home” – from supportive benefactor to constitutive replacement.     

Framing indigenous self-recognition: the visual and cultural work of the politics of recognition

Visual and cultural modes of expression and intercultural engagement have broad implications for recognition politics. Recognition-based strategies for the governance of Indigenous difference in settler colonies engage in an economy of perception that capitalises on the currency of inclusion and diversity. This paper explores the visual and cultural fields of recognition politics in the Canadian settler state through the examples of the 2008 Apology from the federal government for Indian Residential Schools and the stained-glass window – Giniigaaniimenaaning (Looking Ahead) by Métis artist Christi Belcourt – commissioned to commemorate the Apology. The paper uses Judith Butler’s concepts of recognisability and framing to make sense of these events as legitimations of settler colonialism. It goes on to explore the possibility of rupture in the inherent instability of ‘frames of recognition’, in Butler’s terms, and uses Jolene Rickard’s conceptualisation of visual sovereignty to also make sense of the simultaneous subversion and self-recognition that takes place in Belcourt’s artwork. In doing so, this paper furthers a critical dialogue surrounding the normativity of recognition policies and practices in Canada as well as the intersubjective or interpellative orientation of visual-cultural expressions of recognition.     

The Challenge to ‘Informal’ Empire: Argentina,Chile and British Policy-Makers in the Immediate Aftermath of the First World War

From the late nineteenth century, both Argentina and Chile were integral parts of Britain’s ‘informal’ empire in Latin America. It has been suggested by historians that this ‘informal empire’ came to an end around the mid-twentieth century. By analysing contemporary sources from within the British government and the findings of later economic historians, it is the purpose of this article to contest this viewpoint. It will instead argue that the end of ‘informal’ empire in these countries was a direct consequence of the First World War, and that the decline in British influence in the region was registered by British policy-makers much earlier than has previously been argued.