Conceptual Debts: Modern Architecture and Neo-Thomism in Postwar America

This article analyzes the formative role of medieval theology and aesthetics in the development of postwar American architecture by focusing on the architectural theory and practice of Mies van der Rohe and Jean Labatut, both of whom became actively interested in Neo-Thomism from the late 1940s. More specifically, a closer look at their reliance on the work of Jacques Maritain, the preeminent promotor of Neo-Thomism, sheds light on the transmission and circulation of old and new concepts within twentieth-century architectural theory. By revealing how Maritain’s ideas helped to codify the latter and thus exposed the premodern ideas at the heart of modern architecture, I argue that modernist aesthetics should be re-evaluated with regards to its definition of “the new” and its emphasis on the breakdown or mutation of premodern frames of reference.     

Van Gulik's The Lore of the Chinese Lute Revisited*

In this article I propose a critical examination of van Gulik's The Lore of the Chinese Lute (LCL) in respect to its bibliographical sources and consequent aesthetic contentions. Despite being arguably the first academic monograph on the ideology of qin and historically a major non-Chinese source for the study of qin in general, the LCL does not represent van Gulik's mature thinking on qin. The LCL is limited by objective circumstances surrounding its writing and flaws in van Gulik's bibliographical engagement. His study of the musicology of Yueji on the basis of inaccurate translation and a neglect of the Neo-Confucian reading of Yueji, his hypothesis of Daoist dominance and Buddhist or Indian influence in the practice of qin with mistaken evidence, his skepticism of the truth of the literati tradition with fundamental bibliographical flaws, all require reconsideration. The current lacuna in the critical investigation of the LCL not only urges contemporary researchers to continue where van Gulik left off, but also calls for new research projects on qin and Chinese literati music in general.     

Dom Hans van der Laan’s Architectonic Space: A Peculiar Blend of Architectural Modernity and Religious Tradition

This article discusses the design methodology of the Benedictine monk-architect Dom Hans van der Laan (1904–91), famous for his manifesto De Architectonische Ruimte (Architectonic Space, 1977), in which he proposed his ideal elementary architecture. In the past, this ideal achitecture was linked to Van der Laan’s proportional system and to his general approach as an architect rather than to his Catholic background. Consequently, the changing conceptual landscape in which he developed his ideas on the relation between religion and design was neglected. Yet, as this article will argue, it is only by carefully exploring the relation between Van der Laan’s attempts to define a fundamental architecture and his ambition to understand the religious traditions they may have sprung from that one can understand how his religion and design methodology influenced each other. Based on unedited primary sources (letters, notes, design sketches, lectures), this article reveals forgotten interconnections between Van der Laan’s religious and architectural thinking. By analysing these motifs, it offers new insights on the interrelationships between religion and architecture that go beyond the traditionalist-modernist dichotomy.     

HISTORY,AFRICA, AND DEFAMILIARIZATION: A COMMENT

After initially identifying defamiliarization as a central aspect of Nancy Rose Hunt's essay “History as Form,” this comment reflects on the implications that her reading of Georg Simmel and her emphasis on objects and materiality have for the writing of history. If Hunt suggests, with Simmel, that the form of history is autonomous from history as it unfolds, the claim here is rather that there is no necessary relationship between writing and its topic. Considering how earlier European historiography excluded Africa (in particular) from the domain of history, it is no coincidence that this contingent relation between form and history has been particularly energizing for Africanist historiography—leading to innovations both in practice and theory. The comment concludes by briefly discussing three concepts that have informed such innovation: the vernacular, suturing, and multiple temporalities.     

Measuring Religious Preferences in Nineteenth-Century Urban Areas

The author applies David Galenson's work on the life cycles of modern artists to the study of the paintings of old masters, from about the early fifteenth to the late seventeenth centuries. Both the potential use of technical examination of paintings and the role of drawings for preconceiving compositions are explored as means for interpreting artistic behavior among pre-modern artists. Using a study of illustrations in texts to establish a list of canonical painters and the relative dates in which they are believed to have contributed their most important paintings, the author then analyzes a series of old master painters' working methods, demonstrating how their creative behavior corresponds to what their respective life cycles would suggest. Thus, the study of artists' life cycles could anticipate the use of optical and other mechanical devices for the production of premodern paintings based on such studies.     

The long goodbye: Hugo Grotius’ justification of Dutch expansion overseas, 1615–1645

This article examines Grotius’ lifelong support for Dutch expansion overseas. As noted in other publications of mine, Grotius cooperated closely with the directors of the Dutch East India Company (VOC) in the years 1604–1615. Right up to his arrest for high treason in August 1618, he contributed towards Dutch government discussions about the establishment of a West India Company (WIC). Three years of imprisonment at Loevestein Castle and, following his escape, long years of exile could not weaken his dedication to the cause. His relatives in Holland, in particular his brother Willem de Groot and his brother-in-law Nicolaas van Reigersberch, kept him up-to-date on the fortunes of the VOC and WIC. His expertise on maritime affairs was in high demand. For example, Cardinal Richelieu invited him in November 1626 to become actively involved in the establishment of a French East India Company. As itinerant ideologue of empire, Grotius sought to further his own career and those of his nearest family members, without damaging the interests of the United Provinces. Through Willem de Groot and Nicolaas van Reigersberch, he provided informal advice on Dutch imperial policy to the VOC directors and government officials in The Hague. He was rewarded with the appointment of his brother and his second son, Pieter de Groot, as VOC lawyers (ordinaris advocaten) in 1639 and 1644, respectively. They served as his proxies in diplomatic disputes involving the VOC, the States General and the Portuguese ambassador in autumn 1644, when Pieter and Willem de Groot wrote a defense of VOC claims to the cinnamon-producing areas of Ceylon (modern-day Sri Lanka), liberally citing De Jure Belli ac Pacis. Grotius’ vision of empire hardly changed in the course of 40 years. In his view, the Dutch had gone to the Indies as merchants, not conquerors, and should regulate themselves according to natural law and the law of nations. Thus he contributed to the creation of two political orders, one for Europe and one for the Indies. European diplomatic relations counted for little beyond the Line. VOC and WIC officials could act as judges and executioners in their own cause, without reference to indigenous rulers, other colonial powers, or even the political authorities back home.     

Egas Moniz and the Origins of Psychosurgery: A Review Commemorating the 50th Anniversary of Moniz's Nobel Prize

Modern psychosurgery began in 1936 with the work of the Portuguese neurologist, Egas Moniz, who attempted to treat the symptoms of mental illness by severing neural tracts in the frontal lobes. This procedure eventually became widespread and applied to thousands of institutionalized, psychotic patients in the United States and other countries. Despite serious side effects associated with psychosurgery, the apparent importance and validity of the treatment was recognized in 1949 when Moniz received the Nobel Prize for his innovation. Psychosurgery was largely replaced by anti-psychotic drugs in the mid-1950s, and the procedure and its practitioners rapidly fell into disrepute. This article reviews Moniz's career, the factors that led up to his first clinical trials of frontal lobe surgery, and the circumstances that allowed psychosurgery to flourish in the 1940s, eventually leading to Moniz's Nobel Prize.     

Culture and power: the rise of Afrikaner nationalism revisited*1

ABSTRACT. Outside parliament, the story of Afrikaner nationalism is largely a story of political (and sometimes economic) activists establishing language and cultural organisations. In a preliminary attempt to systematise the intentions and achievements of these extra‐parliamentary components of the Afrikaner movement, this article critiques and refines Joep Leerssen's model of nationalism as ‘the cultivation of culture’ (Nations and Nationalism 12, 4: 559–78). Drawing on the examples of the Genootskap van Regte Afrikaanders and the Afrikaner‐Broederbond, I revisit the relationship between cultural and political nationalism – both as concepts and as actual movements – and question the notion of a dichotomy.     

Caspar Vopel's Ventures in Sixteenth-Century Celestial Cartography

ABSTRACT

This paper concerns the undertakings in celestial cartography of the sixteenth-century Cologne cartographer Caspar Vopel. Copies of his printed celestial globe and of the celestial maps included on his world map are also described. Vopel's celestial mappings display his extraordinary interest in astronomical myths through a series of conspicuous iconographic features. In particular, Vopel's introduction of the images of Antinous and Coma Berenices is revealed to have been inspired by a humanist edition of the Ptolemaic star catalogue. Finally, a study of the celestial maps on the copies of Vopel's world map by Valvassore (1558) and by Van den Putte (1570) shows that these represent different editions of Vopel's world map and that the celestial maps on the world map of Matteo Pagano were in turn copied from those on the world map of Valvassore.     

Package FLUIDS. Part 3: correlations between equations of state, thermodynamics and fluid inclusions

The computer package FLUIDS ( Bakker 2003 ) has been revised to calculate fluid properties in pores and inclusions. The programs are provided with a Graphical User Interface (GUI) and are adapted to new operating systems, including MacOS, Windows and Linux. The van der Waals equation of state has been added to the group Loners and is used to illustrate a large variety of calculation procedures for many thermodynamic parameters and properties. The mathematical transformations can be applied to any equation of state with the form p ( V , T , n ), i.e. the pressure of a multi-component fluid is expressed as a function of volume, temperature and amount of substance. The fluid properties that are usually observed in microthermometric analyses of fluid inclusions, such as phase separation, phase coexistence and stability, can be predicted with these equations of state by using its spinodal and critical point calculations, in addition to fugacity calculations of liquid and vapour phases. The computer program LonerW can be freely downloaded from the website: http://fluids.unileoben.ac.at/Computer.html .