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1.
"两个飞跃"是一个完整的历史过程,实现第二个飞跃是农业发展的方向和必然趋 势。河南农村共同致富的典型--刘庄、南街、竹林,从发展村镇企业入手,促进农业现代化生 产,增强集体经济实力,并且在农民收入增加的过程中,集体收入比重占据绝对优势。这种既适应 了科学种田和生产社会化需要、又推动了适度规模经营和集体经济发展的成功实践,充分说明了 "两个飞跃"思想的科学性。  相似文献   
2.
试论清代皇帝明黄色朝袍的功用   总被引:2,自引:0,他引:2  
在清代皇帝冠服中,明黄色朝袍的功用尤其引人关注。但是,长期以来人们对“朝祭所御”的概念往往含混不清,以至认为清帝明黄色朝袍既可亲郊飨庙又能御殿朝贺,模糊了朝服与祭服的区别。顺治十年(1653年)都察院左副都御史傅景星奏言:“自古帝王一代之兴,必有一代之制,黄帝尧舜垂衣裳而天下治。衮冕黼黻代有不同,朝有朝服,祭有祭服,所以肃臣民而格上下也……”。本文旨在讨论清帝明黄色朝袍的不同作用,从而区分出朝服与祭服的不同。  相似文献   
3.
In Germany a common narrative of the First World War could never be established. In the post-1918 period, explanations of Germany's defeat were highly contested between the political factions of the Weimar Republic. The subsequent Nazi tyranny, the Second World War and the Holocaust came – and continue – to overshadow any other event in German history. During the Cold War, the First World War was largely a forgotten conflict. In recent years, the federal government has remained hesitant about embracing the centenary, but countless exhibitions, seminars, books and other media productions have brought this aspect of history back to public attention from late 2013, and with it has come a renewed public debate on war guilt.

在德国是不会有共同的一战叙事的。1918年以后,对德国战败的解释成为魏玛共和国不同的政治派别的战场。接下来的纳粹独裁、二战以及大屠杀,则让德国历史上的任何其他事件黯然失色。在冷战期间,一战差不多被遗忘了。近些年联邦政府一直对庆祝百年的事犹犹豫豫。不过2013年底以来,无数的展览、研讨会、图书以及其他媒体产品使得这段历史成为公众关注的对象,关于战争的罪孽问题又起纷争。  相似文献   

4.
江湄 《史学月刊》2004,(2):95-101
赵世瑜教授是当代中国社会史研究的积极倡导者和实践者之一,所著《狂欢与日常——明清以来的庙会与民间社会》一书,探讨了当代中国社会史研究力图形成的新的历史解释思路、新的通史意识及其发展态势与存在的问题。  相似文献   
5.
It is only when one moves home or office that one really thinks about what gets left behind, what is discarded, and what we decide to keep. How we deal with this in our personal lives is interesting enough, where senses of loss and discard are potentially heightened given the intimate heritage which many familiar objects and items possess. But what happens when the transition is corporate, when an organisation moves? Here, briefly, is an archaeological perspective on the move English Heritage made in 2006, from its long-time HQ in Savile Row (London, UK) to new accommodation in Holborn and elsewhere.  相似文献   
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7.
本文经类型学研究,将辽东地区两周时期流行的双房式陶壶分为三期,并对年代进行了讨论.在此基础上,通过对其内涵与外延的把握提出三点认识:1.双房式陶壶的祖型可追溯到庙后山文化,在以后的发展过程中逐渐形成以太子河、浑河为中心,分布范围遍及辽东地区具有显著时段特征的一种考古遗存.2.将双房式陶壶分为A、B两系,认为它们是同源陶壶谱系的两个发展序列.3.所谓"美松里"陶壶,是双房式陶壶自西周中晚期发生分野以后,向东流入西北朝鲜地区发展的一支.同时这种陶壶的北传,还对西团山文化产生了较大影响.  相似文献   
8.
    
There is a wide gap between planning ideology and planning practice in some regimes. In planning practice, contextual differences and traditional practices affect urban spatial configurations and their related societal dimensions, and also influence the legislative and administrative systems that dictate the process and production of the built environment. This is linked to situations where hidden practices and power relations among key actors may limit democratic participation in the planning process and challenge ethical practice. This paper focuses on the emerging traditions of planning practice in Turkey. We argue that by understanding the role(s) of the key actors in the process and investigating approval processes in detail, it can become evident that planning ‘on the ground’ is often tokenistic and circumvented by hegemonic power relations and tactical actions. These latter in turn side-step a requirement for democratic participation and encourage a ‘loosening’ of planning ethics.  相似文献   
9.
王华 《史学月刊》2007,3(9):72-79
传统上,库克之死被归咎于夏威夷人的\"野蛮\",然而该观点却不能解释相关的另一现象:为什么在死后相当长的时间中,库克仍被岛民当做神灵祭拜?从18世纪的夏威夷社会文化本身去解读这一问题,会带给我们更具说服力的解释。在库克与夏威夷人接触的时候,\"土著\"文化与西方文化的交流还相对平等,夏威夷文化并且还起到更主体化的作用,库克为首的殖民者是被纳入到夏威夷本地文化中理解的。库克的死,可以启发我们去进一步探究异质文化初次碰撞的方式和模式问题。  相似文献   
10.
    
While screen production is notoriously centralised, it is still found outside major media cities where the central problem for actors in these subordinate media cities is how to create sustainable levels of screen production capabilities in circumstances of increasing centralisation and globalisation in media production and its design. This article discusses how the screen production sectors of two subordinate media cities, Brisbane and the Gold Coast, are organised. Each city represents a different pathway for the sustainability of a media sector. The Gold Coast is a production location for globally and nationally dispersed high-budget feature film and TV drama production; while Brisbane is mostly a ‘national production’ location for domestically oriented news, documentary, infotainment and sports programming with a focus on lower budgeted feature filmmaking and occasionally, television drama. These different city pathways are the product of the creative resources and infrastructure evident in each city.  相似文献   
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