社会政治变动与西周晚期的历史表述

西周晚期至东周之初是早期史学发展过程中的一个重要节点。受西周晚期社会政治变动的影响,该时期的历史表述产生了诸多重要变化。其一为表述主题发生转变,由原来侧重表述天命、族群及周王朝的发展,转而侧重贵族家族或诸侯功业等主题,开东周诸侯国史述作之风。其二为历史表述的内容与主旨渐趋丰富多元。西周衰亡刺激时人反思历史,审视时政,开始就历史动因提出不同的解释模式,实即私人述史的一个开端。其三为述作群体扩大,人数较多的中下级贵族及普通士阶层开始成为历史表述的主体。部分贵族士大夫摆脱旧观念的约束,就历史与政治发表看法或讴歌主君,"君子作歌"之风由此而起,实为春秋家史兴盛局面的滥觞。     

20世纪七八十年代引滦工程决策历程

水资源短缺一直制约着京津唐地区经济和社会的发展。20世纪70年代,因缺水引发的经济、社会问题逐渐凸显,促使中央和地方政府开始考虑实施跨流域调水工程。引滦工程作为北方最大的跨流域调水工程,其决策经历了曲折的过程。1958年,北京和唐山曾分别提出引滦河水的设想,唐山还实施了引滦入还和引还入陡工程。1972年,海河流域大旱促使中央做出加快实施引滦工程的决定,但由于地质情况复杂等原因,引滦工程设计方案被反复修改。1981年,天津提出了单独引滦济津路线并得到了中央的支持。引滦工程对缓解京津唐用水紧张发挥了重要作用,天津是引滦工程受益最大的地区。     

The Left(s) and Nationalism(s) in contemporary Western Europe

This article introduces our themed section on The Left(s) and Nationalism(s), which provides a comparative analysis of the relationship between nationalism and different left-wing parties in Western Europe. It highlights the innovative comparative perspectives offered by this themed section, which not only concerns a series of different geographical cases studies but also involves the ideological plurality of the Left. The larger research question that our contributors address is how different left-wing parties have dealt with the inherent ideological tension between the universality claimed by the Left and the particularism inherent in nationalism, as a doctrine and a principle of political legitimacy. The article stresses three main contributions of our themed section: (1) Western European left-wing parties do engage with the themes of nationalism and nationhood, but they often rely on convenient silence to solve some of the contradictions with their progressive ideology. (2) None of these parties have formulated thick versions of the respective national identities. (3) State-wide left-wing parties have used instrumental conceptions of nationhood to address the challenge of separatist parties, but only with mixed results.     

The art of nationalism: Artists' perspectives on the Latvian Centenary film programme

In the aftermath of several decades of neoliberalism in Eastern Europe, the social fabric of post-socialist societies is frayed. In this context, nationalist cultural policies and everyday displays of national belonging have emerged as key instruments of social solidarity. There has recently been a drive of state initiatives in Latvia in the field of cultural policy aimed at strengthening national identity. In this paper, we focus our attention on one particular cultural policy initiative, Latvian Films for Latvian Centenary. Drawing on qualitative interviews with 16 film directors who participated in the Centenary film programme, the paper explores how artists and cultural operators involved in this programme are mobilised as national(ist) subjects and how they see their work within such a framework. We argue that nationalist cultural policy can be successfully implemented because the artists, themselves formed as responsible political and moral subjects in the tradition of Latvian cultural nationalism, share a regard for culture and the arts as a resource for sustaining the political statehood and the national community. However, the artists also recognise the limitations of their work as a source of social cohesion and solidarity in a society that is ethnically divided.     

青海大通县出土汉代玻璃的研究

本文共对12件玻璃样品进行化学组成分析.其中,部分样品还进行了密度测定,X 射线衍射分析和显微镜观察.此外,还对一颗黄色玻璃珠的表面层进行 SEM-EDX 分析.结果表明,该玻璃珠表面有金箔涂层.根据分析结果,青海大通县出土玻璃的基础成分可归为三类,即铅钡玻璃(Na_2O-PbO-BaO-SiO_2系统玻璃),钠钙玻璃和钾硅玻璃(K_2O-SiO_2系统)。此外,还对玻璃的来源进行了探讨.     

“A plantation can be a commons”: Re‐Earthing Sapelo Island through Abolition Ecology

This paper is based on the 2018 Neil Smith Lecture presented at the University of St Andrews. It considers the plantation past/futures of Sapelo Island, Georgia, one of the Sea Islands forming an archipelago along the US Southeastern coast. I work through the abolitionist efforts of the Saltwater Geechee’s who have resided there since at least 1803 to better understand how we can mobilise an emancipatory politics of land and property and to produce commons that work to repair and heal the violence done through enslavement and ongoing displacement. I weave together a series of historical threads to better situate linked ideas of abolition democracy and abolition geography, and to extend the notion of abolition ecology as a strategic notion to connect Eurocentric based political ecologies with the emancipatory tradition of Black geographies.     

胡人发型:中古“剪头胡雏”艺术形象试解

古人发型是文化界长期关注的一个重要现象。发型不仅是时代的特征与时尚的符号,也是各个族群的辨识标志。从北朝到隋唐的中古社会,"剪头胡雏"的文物图像屡屡出现,一般来说,此类胡人形象是剪发而不是束发,在当时以"高髻为尚"的社会习俗中,"剪头胡雏"发型是有着"阶级感"的存在,是有关底层胡人的直观艺术产物。也说明当时入华胡人还没有彻底"汉化",仍然保留着本族群的发型特征。该发式是胡人与汉人的区别,也是其身份归属的象征。     

明代苏州宗族形态探研

明人追求通过修谱与祠祭表达祖先崇拜和宗族共同体的意识。明人的祖先祭祀,依据祭祖地点,可以划分为墓祭、家祭、祠祭。娄坚《徐氏宗谱序》分析了明代江南故家大族与谱牒不盛的问题,认为吴人不能聚族在于习俗的鄙、奢所造成的,强调通过宗族建设移风易俗。明代族谱更加盛行,表现出强烈的以谱法接济宗法的观念。苏州士大夫发扬光大了宋代范仲淹设置义田、义庄的传统,以此赡族进行宗族建设,官府倡导并保护义田与义庄,形成了不同于其他地区宗族形态的特色。明代苏州处于宗族组织化的新阶段。     

部落与民族主义的竞逐——1953年法国在摩洛哥的政变与格拉维部落的兴衰

部落构成了中东社会生活的一个重要层面,是理解中东国家必不可少的视角。1953年,法国在摩洛哥发动政变,废黜了支持民族主义力量的苏丹穆罕默德五世。格拉维部落在此期间经历了兴衰起落。此次政变集中反映了摩洛哥国内部落和民族主义力量对国家政权的竞逐,是观察中东地区部落和国家间复杂逻辑关系的典型个案。摩洛哥传统势力的代表格拉维部落与国家间关系表现出复杂形态:部落利用国家力量实现崛起,部落对抗民族主义力量发动政变企图控制国家,最后部落被国家抛弃而衰落。在部落和民族主义竞逐国家政权的过程中,法国殖民者成为二者沉浮的决定性因素和制衡力量。由于部落对国家认同的脆弱性,殖民主义政权得以通过玩弄部落认同对殖民地进行分而治之。     

生计与风水:清代湘南地区的矿业开发与生态环境

湘南地区毗邻赣、粤、桂三省,地理位置特殊,是一个复杂的地理单元。及至清代,湘南地区已是湖南省乃至全国铜、铅、银等矿业生产的主要区域。长达数百年的矿产开采与冶炼,促进了地方社会的经济发展,也给当地的生态环境带来深远影响。由此,湘南官绅民各界对矿业开发引发的环境问题亦有因应,“坑冶十害论”和“九嶷山封禁案”即为其集中体现。开矿采砂本为解决贫民生计而采取的措施,但因破坏风水、污染水土等一系列影响环境的后果,以致出现开矿与禁矿之争,使得湘南地区矿业开发一度出现波折。这两例个案亦折射出在“重本抑末”的传统社会中地方官绅士民在生计与风水之间的离合关系。地方社会以保护风水为由严禁矿冶,在一定程度上遏止了生态环境的破坏与恶化,不过,其在环保方面发挥的作用也不宜被高估。