On Skin and Bone: Samoan Coconut Oil in Indigenous Practice

ABSTRACT

International promotional material on coconut oil commonly references its centuries of use as a beauty and health aid by Pacific Islanders. However, this gesture towards Indigenous Pacific use of coconut oil is rarely accompanied by substantive information. This paper explores the topical application of coconut oil in three Indigenous Samoan practices: fofō, or massage by taulāsea and other forms of customary healers or medical attendants; samaga, the anointing with coconut oil of the newly inked pe‘a or malu to mark the completion of these customary tattoos; and liutofaga, the ritual ‘washing’ of the bones of a deceased relative with coconut oil prior to reinterment. This paper argues that there are interrelated practical, medicinal, and spiritual dimensions to Samoan uses of coconut oil, and that these are usefully understood through reference to Samoan conceptions of sociospatial relationship, or vā.     

从刺字看宋代军制

刺字是古代肉刑之一,在宋代成为军人和罪犯共有的体貌特征.军人和罪犯在刺字内容和部位上虽有差异,却都被社会主流群体视为贱民.军人的身份与罪犯颇为接近.军人低下的社会地位,不足以吸引平民入伍,募兵制施行的程度值得怀疑.出于兵源补充的需要,宋代强化对军人的身份控制,形成了后世军户的雏形.     

From the stigmatized tattoo to the graffitied body: femininity in the tattoo renaissance

This article analyzes the spectacularly rising popularity of tattoos by showing that tattoos have become a spatial project in the largest sense: the way they participate in the creation of social space is different from that of tattoos before the Tattoo Renaissance. I explain this project as a shift from tattoos to body graffiti. In the past (predominantly male) tattoo-spheres could be located within the margins of society. Once an identity had been assumed through the adoption of a tattoo, the person could be assigned a particular geographical position within an urban sphere. Contemporary tattoos have this one-dimensional identifying function to a much lesser extent, which influences the way in which these tattoos create space. Within the new tattoo space, the skin does not wear the stigmatic mark, nor does it function as a screen of male desire, but it becomes a wall on which multiple desires are projected. In this sense, tattoos have become graffiti. I establish the particularity of the female tattoo as opposed to the masculine tattoo by focusing on an important element of the pro/contra discussion of female tattoos: the purity and ‘blankness’ of the female skin. Jean Baudrillard's concept of the blank female skin as a ‘void’ that men rush to fill with their own desires is central to this discussion. Finally, I show that the spatial function of narcissistically oriented female tattoos is at least partly established within the Suicide Girls interactive website.     

The tattoos of the Tyrolean Iceman: a light microscopical, ultrastructural and element analytical study

The Tyrolean iceman, a 5300-year-old mummy, presents tattoos on different parts of his body. Skin samples of several line tattoos and a cross tattoo were investigated by optical microscopy and various electron microscopy techniques (TEM, EFETEM, EELS, EDXS, electron diffraction). The epidermis of the investigated skin areas was mostly lacking. The tattooing particles are distributed in the connective tissue and could be identified as soot. In some areas between the soot particles, different silicate crystals are present such as almandine and quartz, along with some not exactly definable crystals. The crystals possibly derived from stones of the fireplace from which the soot was taken for tattooing. Additionally, in the medial part of the right leg, putative ash particles were seen in the tattooed area. Furthermore, in non-tattooed skin areas, a vivianite crystal and small grains of CaPO₄ and nearby Fe, P and O could be detected, these having formed most probably after the death of the Tyrolean Iceman during his long period in the mountains. On the surface of two leg specimens, a small layer with brown granules was visible by means of optical microscopy, and these were identified as melanin granules in the stratum basale of the epidermis.