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1.
The main objective of this paper is to suggest an alternative approach for the investigation of domestication in the Levant. First, basic data regarding domestication in the Levant are presented. Then the various traditional approaches towards domestication in the prehistoric Levant, labeled (1) environmental, (2) social and anthropological, and (3) cognitive, are briefly reviewed. This discussion forms the basis for a proposal of a “holistic approach,” in which domestication is regarded as a long-term, multidimensional and multirelational phenomenon, including many elements—such as plants, animals, humans, material culture and ancestors—with increasing human manipulation of these various constituents. After a presentation of the theoretical framework, a growth metaphor is used to reconstruct the process of domestication (ca. 20,000–6500 B.P.) as a number of phases: (1) germination in the Kebaran; (2) development in the Early Natufian; (3) retreat/dormancy in the Late/Final Natufian; (4) growth in the Pre-Pottery Neolithic A; (5) florescence in the Early- and Middle Pre-Pottery Neolithic B: (6) further development in the Late Pre-Pottery Neolithic B; (7) dispersal in the Final Pre-Pottery Neolithic B and the Pottery Neolithic. In each of these phases, relations between the various elements are dealt with, special attention being paid to symbolical relations, as evidenced by “art” and ritual.  相似文献   
2.
The Risorgimento was the process of independence and unification of the Italian nation between 1848 and 1860, and has remained a powerful symbol of Italian politics ever since. Elaborating on Jan Assmann’s concept of cultural memory, the article discusses the Risorgimento at crucial moments in twentieth-century Italian politics: the 1911 anniversary of unification, the elaboration of the Risorgimento during fascism, the re-appropriation of the Risorgimento by the left and by the Resistance during the 1930s and 1940s, the general semantic space carved by the post-war democratic forces on both right and left with reference to the Risorgimento, and the sudden return to the memory of the Risorgimento in the 1990s and afterwards. The aim of the article is to understand both continuities and changes in the reference to the Risorgimento in twentieth-century political discourse, and to put into perspective Italy’s ‘particular’ road to modernity within a comparative European frame.  相似文献   
3.
Animal bones in human burials may reveal aspects of the relationship between animals and humans. This article describes the roles of birds in mortuary practices and in the ideology of Stone Age northern Europe. Bird bones from two large burial sites, Middle Neolithic Ajvide (Gotland, Sweden) and Mesolithic and Neolithic Zvejnieki (Latvia) are investigated with osteological methods. Beads and pendants were fashioned from the wing bones of waterbirds, and used in the decoration of the body or the burial dress. The jay was found in three Neolithic burials at Zvejnieki, and it may have been a totem animal for the Middle Neolithic people at Zvejnieki, and its wings or feathers were presumably attached to dresses and costumes for the dead. Bird remains in burials at Ajvide, Zvejnieki and some other Stone Age cemeteries may indicate similar features in the way of perceiving birds, especially the possible symbolic roles of waterbirds and wings. The findings are discussed from the perspective of the cosmology of historical hunter–gatherer (and herding) groups in modern Russia.  相似文献   
4.
On gaining independence in 2002 after a protracted struggle against Indonesian occupation, the sovereign Timor‐Leste state began to assert its sovereignty in a range of discursive and expressive media. These assertions developed a distinct ‘language of stateness’ that is the focus of this article. This East Timorese expression of state sovereignty draws heavily on the legacy of the Timorese resistance struggle and on a variety of other sources of symbolic power such as flags, buildings, logos, and uniforms. Yet these efforts have been contested by a range of non‐state actors in Timor‐Leste and the shape that this language of stateness has taken now evokes complaints from martial arts groups (MAGs), ritual arts groups (RAGs), and veterans' organisations that seek to ‘become like the state’ themselves, and who also employ a ‘national language of stateness’ in the form of flags, graffiti, and official buildings. While not challenging the idea of an independent East Timorese state per se, these groups question the prerogative of the state to use and define the language of stateness. In this article I explore the way the state and its challengers use ‘languages of stateness’ and how this shapes their ambivalent stance vis‐à‐vis each other, with both sides often drawing upon a discourse of the fulfilment of the millenarian promises that have for a long time been tied to the achievement of independence.  相似文献   
5.
This article explores when and why charity vanished from public relief in Copenhagen and thereby differentiates itself from the traditional research field on welfare that focuses on studying the growth of taxation and social spending in the 19th century. This article reveals that charity was not solely a transfer of financial resources, but that charitable donations also entailed a cultural symbolism, which implied that charity was meant to support the local worthy poor. When the function of public relief underwent a transformation, especially at the beginning of the 19th century, the cultural symbolism of charity became incompatible with public relief. After the 1830s, the inhabitants of Copenhagen ceased to donate to public relief and instead donated charity to private philanthropy, which usually targeted the worthy poor for its help.  相似文献   
6.
Circles of Verse     
It is well known that Yijing symbolism was woven into alchemy. But Zhang Boduan's Wuzhen pian (an exposition of neidan in verse) also has numerical structures linked to that symbolism embedded within its structure. That presents opportunities to learn more about Daoist texts’ conveyance of meaning via esoteric symbolic interpretation. In addition, the commentator Yu Yan (1258–1314), perhaps inspired to combine jindan with Cheng–Zhu thought by Zhou Dunyi's Taijitu shuo (itself originating from the Daoist Chen Tuan) and possibly Tantric Buddhist dhāra?ī and ma??ala, developed graphic illustrations (tu) of alchemical practice that influenced late-imperial Daoist works like the Xingming guizhi.  相似文献   
7.
In 1900, the Lao ethnonym, and thus the Lao, ‘officially’ disappeared from Siam. However, Lao culture and identity persisted at local, regional, and national levels. As Keyes (1967) discovered, ‘a Northeast Thailand‐based ethno‐regionalism’ emerged post‐World War II. This regionalism, which we re‐term ‘Thai Lao’ and specify to the majority ethnic community, exists in a contested relationship with both ‘Thai’ and ‘Lao’ identity. The survival of the Lao ethnic community's cultural identity occurred despite the best efforts of the Royal Thai Government (RTG) to eradicate aspects of Lao culture. These aspects included Lao language, religion, and history, using the school system, the Lao Buddhist Sangha, and the bureaucracy. Beginning in the 1990s, buoyed by a multitude of factors, the Lao ethnic community reappeared as the ‘Thai Lao’ or ‘Lao Isan’. This reappearance was noted in the RTG's Thailand 2011 Country Report (RTG 2011) to the UN Committee responsible for the International Convention on the Elimination of All Forms of Racial Discrimination. For nearly four decades now, ‘Laoism’ has recurred in Thai academia, the media, the public sphere, popular traditions, and even Lao apocalyptic millenarianism. Following Smith (1986, 1991, 1999), this article utilizes a historical ethno‐symbolist approach to analyse this recurrence.  相似文献   
8.
This paper examines ethno‐symbolic and instrumental explanations of ethnic and sectarian identities placed within the constructivist turn in the study of political identity, both in the abstract and how they have been deployed to explain the increasing contemporary influence of ethnosectarian mobilisation in Iraq and the wider Middle East. The paper identifies explanatory value in these approaches but finds their focus on either ideational structures or individual rationality too narrow to provide a comprehensive explanation of what happened to political identities in Iraq after 2003. Instead, the paper deploys what can be termed a ‘Bourdieusian method’, in an attempt to get beyond the polarities of structure and agency. It uses Bourdieu's conceptions of political field, principles of vision and division and symbolic violence to understand the influence that de‐Ba'athification, the creation of the Muhasasa Ta'ifia or sectarian apportionment system and national elections had on political identities in Iraq since the 2003 invasion.  相似文献   
9.
Abstract

The Mochica culture developed on the northern Peruvian coast between a.d. 100 and 800. A zooarchaeological study of the remains discovered in graves at four main ceremonial sites—Sipán, San José de Moro, El Brujo, and Moche—provides evidence of 12 sacrificed species including domestic animals such as llamas, dogs, and guinea pigs, and wild animals such as bats and parrots. A comparison of zooarchaeological data with Mochica iconography shows that animals served a variety of ritual purposes, for example, as mortuary food and as guides for souls of the dead in the afterlife. They were also considered to be mediators between the world of the living and that of the dead. This study enhances our understanding of funerary and sacrificial rituals linked to animals in Mochica society as well as in the central Andes.  相似文献   
10.
Australia contains some of the world's richest and apparently longest traditions of rock pictographs. Dating this art, however, has been problematic, with few ‘direct’ and reliable dates of Pleistocene or early Holocene age having been obtained from visible, representational imagery. This paper critically reviews the evidence for the antiquity of pigment rock art in Australia by examining the various dating techniques employed. The accurate and reliable dating of rock art worldwide is crucial to understanding the evolution of modern human symbolism and whether cognitive modernism came about after, rather than with, the first signs of full biological modernism; understanding the pitfalls and devising proper methods are crucial prerequisites. Towards these ends, this paper reviews the results and techniques that have been employed to date the apparently earliest known pictographs in Australia.  相似文献   
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