Fatal Injuries in a pre‐Hispanic Canary Mummy: Violence,Accident or Ritual Suicide?

Perimortem traumas have been identified in a pre‐Hispanic Canary mummy (fifth–sixth centuries cal AD). The location and nature of the fractures in the cranium, cervical vertebrae, ribs and both legs indicate a fall from a considerable height, which would have been the cause of death. Supported by forensic anthropology criteria and historical information about the population of origin, the circumstances in which the fatal injuries might have occurred are discussed. Given the pattern of the injuries, it is debated whether they were the result of an accident or a ritual suicide, as aggression is thought to be a less likely scenario. Copyright © 2016 John Wiley & Sons, Ltd.     

Suicidal journeys: attempted suicide as geographies of intended death

In geography, a conversation around suicide survivors and their suicidal journeys has yet to happen. The current prioritisation of suicide as end points marked on maps and patterns of death in space and regions has obscured the lived experience of adults who attempt suicide and do not die. In an effort to reduce this invisibility, evidence derived from in-depth interviews with adults (18 years and over reported as missing) who freely delivered narratives of their attempts is employed to understand the complex spatiality of suicide in retrospect. Situating suicide survivors as knowledgeable about their feelings, beliefs and experiences, the paper encounters testimonies of intended death via a focus on spatialised journeys: physical routes, pathways and places of attempted suicide. Discussing these particular journeys as socio-spatial process represents the potential for geographical scholars to rework geographies of dying and (attempted) death as an active practice.     

论五四思想家对自杀现象的研究

自杀现象是五四转型时期一个重要的社会现象。从这些自杀现象中暴露出的种种社会弊端,比如社会的动荡、社会的黑暗、社会制度的缺陷、危险人生观的倡导等等,引起了五四思想家们的关注。他们对自杀现象作了多次讨论,分别从自杀的趋势和原因、自杀的道德和社会价值等方面进行了深入透彻的分析,并结合五四新文化运动的目标,提出了以提倡新的人生观和改造社会制度两种手段对自杀进行救济。同时,对自杀现象的研究使五四思想家深刻认识到新思潮中可能有危害人的思想的成分,绝对的怀疑主义和虚无主义使人们无所适从。他们明确提出反对这些偏向,对新文化运动的健康发展起了积极作用。     

Queensland Aborigines,Multiple Realities and the Social Sources of Suffering: Psychiatry and Moral Regions of Being: Part 1

ABSTRACT This two part paper considers the experience of a range of magico‐religious experiences (such as visions and voices) and spirit beliefs in a rural Aboriginal town. The papers challenge the tendency of institutionalised psychiatry to medicalise the experiences and critiques the way in which its individualistic practice is intensified in the face of an incomprehensible Aboriginal ‘other’ to become part of the power imbalance that characterises the relationship between Indigenous and white domains. The work reveals the internal differentiation and politics of the Aboriginal domain, as the meanings of these experiences and actions are contested and negotiated by the residents and in so doing they decentre the concerns of the white domain and attempt to control their relationship with it. Thus the plausibility structure that sustains these multiple realities reflects both accommodation and resistance to the material and historical conditions imposed and enacted by mainstream society on the residents, and to current socio‐political realities. I conclude that the residents' narratives chart the grounds of moral adjudication as the experiences were rarely conceptualised by local people as signs of individual pathology but as reflections of social reality. Psychiatric drug therapy and the behaviourist assumptions underlying its practice posit atomised individuals as the appropriate site of intervention as against the multiple realities revealed by the phenomenology of the experiences. The papers thus call into question Australian mainstream ‘commonsense’ that circulates about Aboriginal and Torres Strait Islander people which justifies representations of them as sickly outcasts in Australian society.     

The Taliban,Public Space,and Terror in Pakistan

Two UK-based specialists on terrorism in Pakistan use empirical evidence to document and analyze the Pakistani Taliban's (Tehrik-e-Taliban) practice of targeting spaces of public interaction for terrorism intended to suppress expressions of public unity and restrict venues for open discussion. In tracing the rise of the Taliban in Pakistan, the authors review the country's history of state and civil society formation, its relations with Afghanistan, and U.S. and Western policy in the region. The authors present timely information and insights that enhance understanding of the recent surge in terrorist attacks on civilians in Pakistan and its ties to the eastward spread of conflict from neighboring Afghanistan.     

The fallen hero: masculinity,shame and farmer suicide in Australia

The drought-stricken Australian rural landscape, cultures of farming masculinity and an economy of value, moral worth and pride form a complex matrix of discourses that shape subjective dynamics that render suicide a possibility for distressed farmers. However, the centrality of a ‘mental health’ perspective and reified notions of ‘stoicism’ within this discursive field operate to exclude consideration of the ways in which cultural identity is linked to emotions. To illuminate and explore complex connections between subjectivity, moral worth and affect in relation to understanding farmer suicide, this article draws on theory and literature on agrarian discourses of masculine subjectivity and shame to analyze empirical data from interviews with farmers during times of environmental, social and economic crisis. The idealized notion of the farming man as ‘Aussie battler’ emerges from romantic agrarian mythology in which pride and self-worth are vested in traditional values of hard work, struggle and self-sacrifice. However, the structural context of agriculture, as it is shaped by the political economy of neoliberalism, threatens farm economic viability and is eroding the pride, self-worth and masculine identity of farmers. The article suggests that the notion of the ‘fallen hero’ captures a discursive shift of a masculinity ‘undone’, a regress from the powerful position of masculine subjectivity imbued with pride to one of shame that is of central importance to understanding how suicide emerges as a possibility for farmers.     

Japan’s Most Beloved Suicide Bombers: The Nikudan-san’yūshi Phenomenon (1932–1945)

In 1932, three Japanese soldiers died in the line of duty during the Shanghai Incident. Battlefield gossip blamed their deaths on incompetence. Sensational newspaper reports lauded them as suicide bombers who crippled the defences of an enemy stronghold with only a Bangalore torpedo and ‘pieces of torn flesh.’ Hero worship and commercialization followed shortly thereafter. Their alleged exploits inspired books, movies, theatrical performances, political speeches, radio dramas, and popular music. This article is about the Nikudan-san’yūshi (Three Heroic Human Bullets) phenomenon, a cultural sensation that penetrated into nearly every corner of Japanese society and which groomed the nation for military extremism.     

Suicide: the spatial and social components of despair in Britain 1980–2000

In this paper we show that, by accounting for the varying influence of just three area indicators of social isolation, it is possible to predict the number of deaths due to suicide and undetermined injuries (most of which are suicides) across a great many areas remarkably closely. The exceptions to this model suggest that in a few unique areas of the country other local, often historical and cultural or intrinsically geographical factors matter also. These findings of the general predictability of suicide matter because suicide is such a common cause of death, particularly for the young. Between 1 January 1981 and 31 December 2000, the underlying cause of the deaths of 130 000 people in Britain were recorded as being directly due to suicide, or in all probability being due to suicide. Collectively, these thousands of personal stories are brought together here to show how a pattern of despair in Britain over this period was spread across the country, affecting different places and different groups in society to differing extents over changing times. The changing geography of despair can be shown to be largely the product of changing economic, social and demographic geographies. This paper is concerned with determining the extent to which the stories of suicide in Britain were more than the sum of thousands of individual acts of misery and the extent to which they reflected the changing social structure of the country. Quantitative analysis is used to identify possible key trends with a more qualitative set of interpretations placed on the possible meanings of these findings. The paper concludes by speculating on how current social trends may influence the future map of the extremes of despair in Britain.     

The Tenco effect. Suicide,San Remo,and the social construction of the canzone d'autore

Abstract

Canzone d'autore is an indigenous expression that has no precise equivalent in other languages. Its social use identifies a genre of popular song that presuppose the existence of an ‘autore’ taken in its most vigorous sense, meaning a ‘creator’, an ‘artist’– but how did this claim to artistry originate? How did it insinuate itself into the world of song, a genre that by definition belongs to the realm of what is traditionally called in Italian ‘musica leggera,’ with unmistakably pejorative connotations? In this essay, I will put forward a sociological interpretation of the genesis of the canzone d'autore, using as a strategic conceptual device the idea of cultural trauma. The traumatic event that I propose to explore, making use of this concept and its analytical machinery, is the suicide of the singer-songwriter Luigi Tenco during the seventeenth San Remo ‘Festival della Canzone’ (‘song festival’) – that is the best-known, most controversial, and most influential single event in the field of Italian ‘musica leggera’, an annual event regularly attended every year – via radio, television, or audience participation – by millions of Italians. Through a reconstruction of that suicide and above all of the public and dramatic events that followed in response to it, the paper examines the social process that transformed an individual tragedy into a collective, social drama, a process that not only produced a new musical classification, but also a new cultural and aesthetic category.     

《斜阳》与太宰治的基督情结

昭和22年太宰治发表的《斜阳》在描写二战战败后的日本社会的同时,融入了《圣经》思想来歌颂女性的解放,并结合了《圣经》来塑造人物形象。本文将深入考察《斜阳》这部作品与《圣经》的关系,并进一步探讨太宰治对《圣经》的独特理解,以及所受的影响。