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1.
The historian's account of the past is strongly shaped by the future of the events narrated. The telos, that is, the vantage point from which the past is envisaged, influences the selection of the material as well as its arrangement. Although the telos is past for historians and readers, it is future for historical agents. The term “future past,” coined by Reinhart Koselleck to highlight the fact that the future was seen differently before the Sattelzeit, also lends itself to capturing this asymmetry and elucidating its ramifications for the writing of history. The first part of the essay elaborates on the notion of “future past”: besides considering its significance and pitfalls, I offset it against the perspectivity of historical knowledge and the concept of narrative “closure” (I). Then the works of two ancient historians, Polybius and Sallust, serve as test cases that illustrate the intricacies of “future past.” Neither has received much credit for intellectual sophistication in scholarship, and yet the different narrative strategies Polybius and Sallust deploy reveal profound reflections on the temporal dynamics of writing history (II). Although the issue of “future past” is particularly pertinent to the strongly narrative historiography of antiquity, the controversy about the end of the Roman Republic demonstrates that it also applies to the works of modern historians (III). Finally, I will argue that “future past” alerts us to an aspect of how we relate to the past that is in danger of being obliterated in the current debate on “presence” and history. The past is present in customs, relics, and rituals, but the historiographical construction of the past is predicated on a complex hermeneutical operation that involves the choice of a telos. The concept of “future past” also differs from post‐structuralist theories through its emphasis on time. Retrospect calms the flow of time, but is unable to arrest it fully, as the openness of the past survives in the form of “future past” (IV).  相似文献   
2.
It is not the case as Robert Bork claims that the U. S. antitrust law had only one goal—maximization of consumer welfare of efficiency—at the very beginning and should have been kept that way for its later development. Partly because of the fighting among different interest groups as well as spokesmen of different regions at the 51st Congress, the Sherman Antitrust Act came out as a legislation with multiple goals, which were also taking shape under the influence of the Republican idea of balance of power, the liberal belief in property rights, the freedom of contract of classic economics, and the price theory of neoclassic economics. In more than a hundred years after that, the U.S. antitrust law has shifted the center of its goals as a result of the change of regulatory regimes with different emphases such as market function, economic stabilization, social concern, and economic efficiency during different periods. From a historical perspective, it is beyond dispute that the U.S. antitrust law has had multiple goals instead of only one. __________ Translated from: Shixue Yuekan 史学月刊 (Journal of Historical Science), No.6, 2004  相似文献   
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NEITHER/NOR     
An Atheism that is Not Humanist Emerges in French Thought examines the advent of antihumanism as a cultural figure out of a network of intellectual crises in interwar and postwar France and ties this advent to the more general consequences of secularization in the modern age. Bracketing political judgments, and eschewing dialectical methods, Stefanos Geroulanos shows how the critique of humanism that emerged from disparate quarters of French intellectual life resulted in a series of negative positions that rendered the human void of any conceptual content and thereby unsuitable as a basis for future political action or philosophical investigation. In addition to basing his analysis on two rigorously sketched concepts of his own design, “antifoundational realism” and “negative anthropology,” Geroulanos deploys a striking use of conceptual irony to show how the critical efforts of his protagonists often led to theoretical cul‐de‐sacs and a heightened measure of existential despondency. The treatment of the emergence of antihumanism as a local phenomenon among a segment of French intellectuals nevertheless encounters problems when it abandons the terrain of historical argument for an engagement with broader metaphysical concerns. By participating in the discourse of its subjects, An Atheism that is Not Humanist finds its way into cul‐de‐sacs of its own, in which, for example, the ostensibly political bearing of efforts to transcend mere politics for broader considerations of the “theo‐political crisis of modernity” remains unclear. Finally, by accepting the terms of the phenomenological diagnosis of metaphysical crisis in the interwar years, the book compromises certain of its genealogical aspirations, especially with regard to the legacy of Third Republic idealism and the specific qualities of post‐phenomenological structuralism.  相似文献   
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ABSTRACT

My book, Experimental Painting (1970), was the product of a decade of coming to terms with the history of modern art and with contemporary manifestations of the avantgarde. While at Cambridge from 1960 to 1967, I published art criticism, initially in locally published magazines, and then went on to review art exhibitions both nationally and internationally. This led to being co-editor of Form, which produced further opportunities. The term ‘experimental’ that I adopted in 1970 was intended to suggest the paradigm of scientific discovery which suited some, if not all, of the artists I studied. This article considers concepts directly imported from contemporary scientific enquiry that seemed relevant to me at the time, notably those from experimental psychology, psychoanalysis and structural linguistics. I relate them to the character of intellectual life at Cambridge in a period which saw much debate about the relationship between Sciences and Humanities as ‘Two Cultures’.  相似文献   
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SUMMARY

The present study paints the intellectual environment in which Ferdinand de Saussure developed his ideas about language and linguistics during the fin de siècle. It sketches his dissatisfaction with that environment to the extent that it touched on linguistics, and shows the new course he was trying to steer on the basis of ideas that seemed to open new and exciting perspectives, even though they were still vaguely defined. As Saussure himself was extremely reticent about his sources and intellectual pedigree, his stance in the lively European cultural context in which he lived can only be established through textual critique and conjecture. On this basis, it is concluded that Saussure, though relatively uninformed about its historical roots, essentially aimed at integrating the rationalist tradition current in the sciences in his day into a new, ‘scientific’ general theory of language. In this, he was heavily indebted to a few predecessors, such as the French philosopher-psychologist Victor Egger, and particularly to the French psychologist, historian and philosopher Hippolyte Taine, who was a major cultural influence in nineteenth-century France, though now largely forgotten. The present study thus supports Hans Aarsleff's analysis, where, for the first time, Taine's influence is emphasised, and rejects John Joseph's contention that Taine had no influence and that, instead, Saussure was influenced mainly by the romanticist Adolphe Pictet. Saussure abhorred Pictet's method of etymologising, which predated the Young Grammarian school, central to Saussure's linguistic education. The issue has implications for the positioning of Saussure in the history of linguistics. Is he part of the non-analytical, romanticist and experience-based European strand of thought that is found in art and postmodernist philosophy and is sometimes called structuralism, or is he a representative of the short-lived European branch of specifically linguistic structuralism, which was rationalist in outlook, more science-oriented and more formalist, but lost out to American structuralism? The latter seems to be the case, though phenomenology, postmodernism and art have lately claimed Saussure as an icon.  相似文献   
8.
Identity formation is a complex process and has been discussed by post-structuralist discourse theorist Ernesto Laclau. This paper focuses on Laclau's proposed ideas on the means of identity production and populism and studies the popular independence movement for Bangladesh under that rubric. It locates charismatic leadership as a necessary condition for populism and identifies Bangabandhu Sheikh Mujibur Rahman as the charismat suturing the various chains of equivalence that rose to become the populist movement that resulted in the nation's struggle for independence in 1971. This paper also looks at the transformational leadership of Sheikh Mujibur Rahman and acknowledges it as a necessary condition for the patterns of identity creation in East Bengal in the late 1960s.  相似文献   
9.
Narratives are increasingly subject to empirical study in a wide variety of disciplines. However, in public policy, narratives are thought of almost exclusively as a poststructural concept outside the realm of empirical study. In this paper, after reviewing the major literature on narratives, we argue that policy narratives can be studied using systematic empirical approaches and introduce a “Narrative Policy Framework” (NPF) for elaboration and empirical testing. The NPF defines narrative structure and narrative content. We then discuss narrative at the micro level of analysis and examine how narratives impact individual attitudes and hence aggregate public opinion. Similarly, we examine strategies for the studying of group and elite behavior using the NPF. We conclude with seven hypotheses for researchers interested in elaborating the framework.  相似文献   
10.
从结构主义视角来看,地方性建构受到了结构性动力与非结构性动力的影响。其中结构性动力主要源自国家政策、制度安排、工业化、信息化、现代化、全球化与旅游化浪潮;非结构性动力主要来自社区精英、外来人员、民间组织机构、空间及族群关系的紧密程度。研究以此为基础,对昆明市石林县圭山镇大糯黑彝族村寨地方性建构的各动力要素进行了进一步阐释。研究显示:各级政府政策与资金的积极支持、石林景区及周边的旅游发展为其带来切实收益、社区精英的引领作用、艺术家的审美创作以及较小的空间尺度和紧密的族群联系等对糯黑地方性的维持和建构起到了关键作用。政府“自上而下”的支持力与民众“自下而上”的自发行为力这两股力量的耦合是村寨地方景观与民族文化得以良性传承的关键。  相似文献   
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