Mediterranean heritage: ancient marvel,modern millstone

ABSTRACT. The wealth, variety and seaborne accessibility of Mediterranean societies since late prehistory have made the region's cultural heritage the world's most widely acclaimed. But since the fall of the Roman Empire the Mediterranean has been increasingly disadvantaged, its history compromised, its legacy beleaguered. Two millennia of invasion and rapine, religious vendetta, foreign conquest, imperial dominion and colonial subjugation have left Mediterranean peoples with fewer resources and weaker infrastructures than those of transalpine and transatlantic nation‐states. The consequences for the care and control of Mediterranean heritage are parlous. That heritage is both the region's self‐defining pride and its economic mainstay, yet a crippling burden to protect and maintain, let alone to interpret and celebrate. It is everywhere beset by natural and human attrition. Weathering and erosion, illicit excavation and pillage, tomb robbery and the international antiquities market exact tolls that legal codes and police forces are all but impotent to stem. Recent social and political trends suggest potential remedies for some of these dilemmas.     

苏联社会文化定式的形成、特点和演变

文化定式是指在跨文化交际过程中,人们将具有相同特征的一群人或者任何民族、种族塑造成一定的形象。不同的社会文化背景和历史条件下,人们对事物的认识会发生变化,有时认识与真实情况完全相悖。苏联不同时期社会对外部世界的认识不一,根本原因在于官方宣传的引导,次要原因是社会传统和文化传承。既有的社会文化定式将长期影响人们对事物的认识。     

I Watussi

The article reflects on the ‘absent connection’ between the fictional Watussi of the Italian hit song of 1963 and the real Tutsi, many of whom had fled Rwanda at that time to escape violence from the ascendant Hutu majority in the last years of Belgian rule. It considers the song's long afterlife and the stubborn persistence, decades later, of comic stereotypes of ‘Africans’ in Italian popular culture despite the growing number of African migrants and their children in Italian society.     

Anthropological race psychology 1820–1945: a common European system of ethnic identity narratives

ABSTRACT. This article examines ethnic stereotypes in biological race classification of Europeans between the 1830s and 1940s as part of political discourse on national identity. Anthropologists linked physical‐psychological types to nations and national character stereotypes through ‘national races’, achieving an often quite enduring international consensus on each race's mentality. The article argues that race mentality narratives were therefore partly dictated by their place within a dynamic interlocking European system. I focus on two key interacting elements that structured this system: the central role of the Germanic‐Nordic blond and the geographically uneven process of modernisation. I consider the spatiality of socio‐cultural and political factors ‘external’ to the stereotype system, such as geopolitics and modernisation, but also emphasise that discursive relationships between national stereotypes helped structure the international stereotype system. My conclusion argues for greater consideration of the influence of both scientific and international systemic factors in research on national identity.     

Matters of Sex and Gender in F. J. Gall’s Organology: A Primary Approach

The originator of phrenology, F. J. Gall (1758–1828), saw himself as a natural scientist and physiologist. His approach consisted of brain anatomy but also of palpating skulls and inferring mental faculties. Unlike some of the philosophical principles underlying Gall’s work, his conception of sex/gender has not yet been examined in detail. In this article, I will focus on Gall’s treatment of men and women, his idea of sex differences, and how far an assumed existence of dichotomous sexes influenced his work. In examining his primary writings, I will argue that Gall held some contradictory views concerning the origin and manifestation of sex/gender characteristics, which were caused by the collision of his naturalistic ideas and internalized gender stereotypes. I will conclude that Gall did not aim at deducing or legitimizing sex/gender relations scientifically, but that he tried to express metaphysical reasons for a given social order in terms of functional brain mechanisms.     

The tourist gaze: cycling tourists’ impressions of Victorian and Edwardian Ireland

Cyclists’ written records of their Irish tours in the late nineteenth and early twentieth centuries have been overlooked by those scholars who have studied travellers’ impressions of Ireland in this period. The tricycle and the bicycle opened Ireland to a new form of tourism in the form of cycling tourism, and many of these holidaymakers, both Irish and foreign, were keen to record their experiences and impressions awheel, either in the cycling press or in other publications. This article is the first sustained effort to present a scholarly analysis of this material. It shows that the cycling tourists’ writings, as is the case with other travel writings, reveal more about the authors’ prejudices and their preconceived ideas about the places that they would visit and the people that they would encounter than they necessarily do about the realities of Irish life.     

Laughing at northernness: postcolonialism and metafictive irony in the imaginative geography

This paper examines the role played by literature in constructing regional otherness focusing on a case study of Northern Finland. In the case of the Finnish North the direct connections between literary tradition, cultural imaginativeness and spatial otherness have been distinctive. Literary stereotypes concerning northern exoticism and the romantics have formed an imaginary contrast with the southern culture, a homogeneous region without any contradictions, imagined by the southern culture in a manner that meets its own hegemonic needs. The defining of the North exclusively in terms of a binary opposition between nature and culture has implied a multidimensional exercise of power in which culture and civilization have justified their own existence by excluding their opposites. In this article northern literature is perceived as a ‘tool’ not only for constructing otherness but also for deconstructing and decolonizing it. Northern imagination is viewed from a metafictional perspective, and the focus is on how the postmodern northern irony is self-consciously concerned about its own social discursiveness, i.e. northern marginality. In the present case the metafictive approach also stands for a methodological possibility for geographers to view literary discourses of otherness more from above. Attention is focused on the eccentrically obtrusive northern artist Rosa Liksom, the pseudonym of a novelist/visual artist who has transformed her northern irony into an emancipatory project.