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To date Mleiha has yielded eighteen stamps belonging to Rhodian wine amphorae. Eleven of these can be dated to the second half of the third and the first half of the second centuries BC. Rhodian stamps are vital for the chronological framework of the PIR‐A period at Mleiha. Most of them, if not all, belonged to funerary contexts but were unfortunately rarely found in undisturbed contexts. The stamp types of the eponym ?ριστε?? and of the fabricants ?πολλ?νιο? and Φιλοστ?φανο? do not seem to occur very often.  相似文献   
2.
刘啸 《人文地理》2009,24(5):126
旅游产品的随意涨价,让很多游客感到头痛和不爽,然而业界还在蠢蠢欲动,继续运筹涨价。旅游产品的价格问题实际上关系到一重大的理论问题:由什么来衡量旅游产品价值量。旅游产品在其实现过程中没有物质性的产品传递过程,因此用"商品的价值量取决于社会必要劳动时间,商品按照价值相等的原则互相交换。价格围绕价值上下波动",已经明显解释不通了。感受才是决定旅游产品是否有价值的关键因素。旅游过程中旅游者所获得的感受越深,旅游产品的价值越大,因此它遵循刘氏"发汗定律"。也就是感受的程度是决定价格高低的直接因素。但是感受是一种纯粹的主观心理体验,它是人类社会经济文化背景的直接反映,也是人类文明的区域再现。  相似文献   
3.
左纵右横绳纹和左曲绳纹是尚未被重视的两种商系绳纹。左纵右横绳纹流行于殷墟文化晚期,沿用至西周早期,为辨识周初殷遗民新创和使用的陶鬲提供了重要线索。左曲绳纹是商人故地西周晚期肥袋足无实足根陶鬲的式别特征之一,具有重要的断代意义。  相似文献   
4.
Xiaoshan in Zhejiang Province was an important ceramic production area in ancient China. During recent years, local archaeologists have found a number of mound tombs dating to the Zhou Dynasty and the Spring and Autumn period. Many shards of stamped stoneware and proto‐porcelain have been unearthed from these tombs. In this paper, we report how we collected ceramic shards from tombs and samples from local ancient kilns as reference materials in order to clarify their relationship. We have used the energy‐dispersive X‐ray fluorescence technique to analyse the chemical composition of the ceramic samples. The results indicate that some of the tomb artefacts may be imported from other production areas. We infer that the other tomb samples were produced at local kilns, but due to production process–related compositional differences, there are small differences in chemical composition between different categories of samples.  相似文献   
5.
松尾芭蕉的俳句,体现了日本民族一种熔融的自然观,同时也表现了一种东方式的生命意识。庞德的意象诗,继承了19世纪象征主义的“感应论”,寻求与万物生命的对话;同时与20世纪象征诗人的“客观对应物”也有共同之处,都努力使生命的本真呈现出来。但是,庞德意象诗的主要灵感来自于东方的生命意识。中国诗歌的生命融合观,日本俳句的生命瞬间呈现的意识,使庞德最大限度地走出西方理性主义观念,捕捉生命瞬间本真的呈现。  相似文献   
6.
Abstract

The scarab impression on the rim of a Middle Bronze II storage jar is the first of its kind to be discovered in Israel. The pattern on the impression appears on scarabs of the period. The unusual location of the impression may point to a special content of the jar, or alternatively to the owner of this pot. Once the context of the storage jar rim is studied, it may shed some light on the possible association of this jar with the scarab impression on its rim.  相似文献   
7.
During the nineteenth century, the Labrador Inuit were incorporated into the global economic system primarily through contact with Moravian missionaries. Although they never abandoned traditional food procurement strategies, some Inuit became wage laborers for missions, and others participated in a market economy based on their procurement of marine mammals, fish, and furbearers. Excavations conducted at the Inuit village site of Nain attest to the increased consumption of European products throughout the nineteenth century. We describe one recovered artifact type, stamped earthenware, in detail and discuss how these artifacts provide insight into global economic processes.  相似文献   
8.
There is a generally accepted view that there is an obvious distinction between proto‐porcelain and stamped stoneware. However, some early shards unearthed from the Dongtiaoxi region (northern Zhejiang) inspire people to rediscuss the relationship between them, because it is difficult to identify them as proto‐porcelain or stamped stoneware. In this work, we have collected samples from three of the earliest kiln sites (Piaoshan, Beijiashan and Nanshan) in the Dongtiaoxi region. We have analysed the chemical composition, firing temperature and phase composition of the samples. Comparing samples from the three kiln sites, we find that, from Piaoshan and Beijiashan to Nanshan, there has been progression in the manufacturing technology. The Shang proto‐porcelain and the stamped stoneware from Nanshan have similar raw materials, firing temperatures and body phase compositions—and they have obviously different decorative appearances, such as glazing or stamping. For ceramics from Piaoshan and Beijiashan, there is no clear distinction between glazed and unglazed samples. We believe that in the Dongtiaoxi region, the difference in the decoration between proto‐porcelain and stoneware became obvious up to the time of the Nanshan production but that, subsequently, two different paths for the development of high‐fired ceramics began to diverge.  相似文献   
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