21世纪的"海洋破碎带"

本简析了海洋的争夺史,在此基础上提出了本的中心议题—21世纪的“海洋破碎带”。探析了“海洋破碎带”形成的七大因素,即：①海洋霸权主义对海洋国际贸易通道的争夺;②国际间对海洋国土的争夺;③海洋生物资源的争夺;④海洋矿产资源的争夺;⑤南极大陆的争夺;⑥海军军备竞赛;⑦海缘政治形势日益恶化。阐释了21纪“海洋破碎带”分布的海域。最后指出,中国不仅是一个陆地国家,也是一个海洋国家,中国的海上安全已近底线。为此,中国必须树立新的海洋观念,建立强大的海军,保卫国家的每一寸海洋国土。     

30年来日本对华经贸政策的调整与演变

日本是中国最重要的贸易伙伴,是我国最大的援助国家,最大的投资国家之一,从1972年9月恢复邦交正常化以来,中日经贸关系总体来说发展顺利,但在不同时期日本采取的对华经贸政策是不同的,是不断根据国家的经济发展现状结合国际形势的变化进行调整。70年代日本对华经贸政策是以发展本国经济为前提推动中日经贸关系向前发展。80年代继承了70年代的对华政策,但政治色彩加浓;90年代采取不断发展中日经贸关系的政策;展望21世纪发展友好的中日经贸关系仍为日本对华的主导政策,但摩擦会不断增加。     

The Fall of Thomas Howard, 1st Earl of Suffolk and the Revival of Impeachment in the Parliament of 1621

The revival of impeachment in 1621 has tended to be viewed exclusively through the prism of parliament. However, this article, which builds on the work of Professor Allen Horstman, suggests that a key factor in impeachment's revival was the dismissal of Lord Treasurer Suffolk for corruption in 1618. Suffolk's removal caused widespread disquiet, since it was assumed that senior officials held office for life. In order to silence these criticisms it proved necessary for the king not only to put Suffolk on trial but also to justify by precedent the lord treasurer's removal. This latter task was performed by the former lord chief justice, Sir Edward Coke, himself not long disgraced, whose researches in the medieval parliamentary record revealed the following year that errant crown ministers had hitherto been held to account by means of impeachment. Coke subsequently put this discovery to good effect when parliament met in 1621. Against the backdrop of mounting criticism against his hated rival, the lord chancellor, Francis Bacon, Coke revealed the existence of impeachment to the house of commons, whose attention was then focused on finding a way to punish the monopolists, Sir Giles Mompesson and Sir Francis Michell. In so doing, Coke not only aided the lower House, which had been struggling since 1610 to find a way of punishing non‐members, but also sought to settle an old score.     

On Roman Remains Recently Discovered at Headington near Oxford

Plans to redisplay the Bayeux Tapestry raise anew the questions as to where and how it was originally intended to be displayed. Analysis of the linen fabric provides new insights into the tapestry’s design and manufacture, and enables its original length to be calculated. Re-examination of the (largely destroyed) 11th-century cathedral at Bayeux and of its liturgical layout demonstrates that the tapestry would have fitted neatly into the nave west of the choir screen. Its narrative falls into three discrete sections that reflect the way in which it would have been hung within the building, and the arrangement of the scenes takes account of the uneven bay-spacings of the nave arcades and the positions of the doorways. It can therefore be concluded that the tapestry was designed for a particular location within the nave of Bayeux cathedral. The cathedral’s liturgical traditions shed light on the way in which the tapestry would have been viewed in the Middle Ages, and the wider implications for the way in which it could and should be viewed today are briefly considered.     

Potemkin Revolution: Utopian Jungle Cities of 21st Century Socialism

This paper explores the entanglement of ideology and materiality in the production of the spaces of 21^st century socialism. “Millennium Cities” are currently being constructed for indigenous communities throughout the Ecuadorian Amazon, with revenues derived from petroleum extracted within their territories. As iconic spatial symbols of the “Citizens’ Revolution”, the Millennium Cities would appear to embody “the original accumulation of 21^st century socialism”—a utopian state ideology promising the collective appropriation of natural resources without the dispossession of the peasantry. Drawing on extensive field research, we argue that they are better understood as a simulation of urban modernity that is symptomatic of the predominance of ground rent in South American capitalism, and which conceals the violent repression of an autonomous indigenous project of petroleum‐based modernization. The original accumulation of 21^st century socialism can therefore be interpreted as a “fantasy of origins”, which functions to reproduce the primitive accumulation of capital.     

Application of Particle Motion Technique to Structural Modal Identification of Heritage Buildings

Determining the behavior of a structure estimated by means of finite elements analysis requires not only an in-depth knowledge of its geometry and dynamic properties but also an experimental validation to corroborate the adequacy of the characteristics of the structure. Most of the current structural identification techniques are based on linear methods that call for many measurement points and/or a relative simple structure. Complex structures are somewhat still an unexplored field due to the difficulties with the finite element method and the experimental corroboration of its results. This study presents the use of particle motion computation applied to each structural vibration mode to improve the identification of its dynamic properties, and its application to the Gothic Cathedral of Palma de Majorca (Spain).     

跨世纪的广西区域开发战略格局

广西是中国唯一沿海沿边的少数民族自治区。亚热带农林土特产品、水电、铝锰锡建材为主的矿产、旅游资源丰富;作为西南出海大通道,地缘政治经济地位突出。迈向21世纪,将进一步完善大通道为主的交通、能源、通讯为主的基础设施结构,建成七大系列支柱产业基地,形成五大经济区的区域开发战略格局,由此而成为中国沿海新兴的少数民族经济发展热点地区。     

Obituary Notice

Abstract

St Vitus’s Cathedral, founded in 1344, is a prime example of 14th-century cathedral Gothic, a product of the cooperation between the ingenious architect Peter Parler and his patron, Emperor Charles IV. The unusual layout consisted of a pair of choirs set side by side in the eastern section of the cathedral, an arrangement inspired by the earlier Romanesque double-choir basilica. One was dedicated to St Vitus and was used by the canons, the other to the Virgin Mary and operated by the mansionars. The royal and imperial necropolis was placed in the latter of the two choirs, with Charles IV’s tomb-chest protected by a sculptured canopy and surrounded by the cenotaphs of deceased family members and later kings and queens. The form of two choirs is probably the result of an extensive rearrangement of the earlier project completed in the 1350s, when initial plans to locate the royal burial ground in the canons’ choir were abandoned. The main choir contained a tabernacle of remarkable design, dating from c. 1365. There may originally have been plans for a third choir to be built around the tomb of St Adalbert located in the middle of the nave, the work on which was initiated in 1392.     

Diverse Strains: Music and Religion in Dickens's Edwin Drood

Music in Dickens's final and unfinished novel, The Mystery of Edwin Drood, shares in the lethargy affecting traditional English community. That life has become stagnant in Cloisterham, the ancient city in which the novel is set, is nowhere more evident than in the desultory choral worship offered in its cathedral. Yet the unevenness of Dickens's writing in Edwin Drood does not make for consistency, and discrepancies in plotting extend to the musical occupations of its protagonists. By considering Edwin Drood alongside the shifting fortunes of choral music in Victorian Britain, this article focuses on what such discrepancies reveal about Dickens's notion of the place of religion in social renewal. Habitual forms of life in Cloisterham, such as the choral service of its cathedral, are being overwhelmed by marginal presences, arriving from the imperial East, but they may also give voice to a future revival. Something of the changeability in Dickens's feeling for established religion can be glimpsed in this duality.