Exposure: a postcolonial turn in urban ethnography

A diary kept during the development of Sugar, a commission of the Liverpool Capital of Culture Festival (2006–2007), was the occasion of an autoethnography. This essay reflects on the triangulation made between the architecture of slavery, contemporary discourses of ‘youth culture’ and the dissolution of the representational frame as thematics or topics liquefied into the repressed topology of the city; a direct analogy is made between the famous but inaccessible Williamson tunnels and the creative unconscious of a post-representationalist dramaturgical practice. The ghost volumetrics of this history are cathected into a movement form, assimilable to the kinetics of hip-hop culture; a new topologically identified community was felt to emerge that performed Sugar largely in the sense of channelling its concerns back into cultural traces continuously in informal production. The relationship between peripatetic dramaturg and peripherally located creative youth mapped an urban dérive quite different from that cultivated by the Situationists, a secret tracking or collaboration that linked urban ethnography to a decolonising dramaturgy.     

心理地理学视角下空难暴露人群心理应激机制分析及其理论延伸

跟踪心理地理学相关网站信息和心理地理学情境主义“漂移”论代表性研究成果,开发一个二维的心理应激主观评测方法,通过情境下的深度访谈旨在从情境再现时空难暴露人群心理活动视角揭示其心理应激作用机制,将其具体概括为一个由时间过程特征和空间接近特征、个体心理应激行为和群体心理应激行为、消极心理反应和积极心理反应组成的相对应与互转化的组合范式,进而进行风险感知水平、心理意识力、区域差异的讨论,以说明情境“漂移”论对心理应激研究的支持。这项研究的特色在于将空难暴露人群心理应激机制研究建立在心理地理学情境“漂移”论的基础上,从而体现心理地理学的学科意义。