基于三维扫描模型的兵马俑足踝有限元分析

利用三维扫描技术获取兵马俑残片的三维点云数据,结合Geomagic Studio和Hypermesh建立高精度的兵马俑足踝残片三维实体网格模型。通过基于ABAQUS的重力作用下的有限元分析,研究足踝部分的Von Mises应力和变形特征,以确定足踝处的受力薄弱部位。为进一步探究模型各残片的最佳点云简化比例,采用点云简化模型进行相同工况的有限元分析,以验证点云简化的可靠性。结果表明:结构在重力作用下可保持安全稳定的状态,相对薄弱部位位于左腿足踝处;对于大部分残片,其最佳简化比例在60%～70%,简化后可有效缩短模型实体化处理时间;采用简化模型得到的有限元结果,其最大Mises应力相比于原始模型的误差小于15%,且应力云图和变形图形状接近,模型简化具有可靠性。     

Restoration of paintings on domes with non-developable geometry (Los Santos Juanes Church in Valencia)

The restoration of paintings on elements in cultural heritage buildings (fundamentally, churches) involves two structural problems: capturing the geometry of the construction element and its development. In many cases, the geometries are regular (e.g., cylinders, spheres, elliptical domes). However, there are cases in which the elements cannot be adapted to any known geometry, much less one that can be mathematically developed. The development of surfaces becomes essential for the restoration of paintings over “flat elements” (over which work is performed on the ground) that are subsequently transferred to the real surface (ceilings). The mathematical transformations that allow regular geometries to be developed are widely known (cartographic projections). However, when the geometry is irregular, there is no development. This study presents a new methodology based on differential rectification and its application for the development of oculi in the Los Santos Juanes Church (Valencia), whose geometry is completely irregular both in shape and as a result of construction defects (and damage caused by fire). The present study focuses on the restoration of paintings damaged by fire.     

四库全书琐谈

本文站在时代的高度,以新的视角、新的理念对封建统治者编纂《四库全书》的目的、成立的机构、人员,所选的经典的收集、删削、篡改进行评述,以及历代有识之士对这部巨著的评价,为读者提供了新的思考。