新课标下的地理多媒体教学

新课标要求教师必须根据具体的教学情境进行创造性、主动性的劳动,创设生机勃勃的课堂教学氛围,充分调动学生的积极性和主动性,使教师和学生在课堂上焕发活力。倡导学生自主学习、合作学习、探究学习,充分发掘学生的潜能,有力地促进学生个性发展。     

Saussure and his intellectual environment

SUMMARY

The present study paints the intellectual environment in which Ferdinand de Saussure developed his ideas about language and linguistics during the fin de siècle. It sketches his dissatisfaction with that environment to the extent that it touched on linguistics, and shows the new course he was trying to steer on the basis of ideas that seemed to open new and exciting perspectives, even though they were still vaguely defined. As Saussure himself was extremely reticent about his sources and intellectual pedigree, his stance in the lively European cultural context in which he lived can only be established through textual critique and conjecture. On this basis, it is concluded that Saussure, though relatively uninformed about its historical roots, essentially aimed at integrating the rationalist tradition current in the sciences in his day into a new, ‘scientific’ general theory of language. In this, he was heavily indebted to a few predecessors, such as the French philosopher-psychologist Victor Egger, and particularly to the French psychologist, historian and philosopher Hippolyte Taine, who was a major cultural influence in nineteenth-century France, though now largely forgotten. The present study thus supports Hans Aarsleff's analysis, where, for the first time, Taine's influence is emphasised, and rejects John Joseph's contention that Taine had no influence and that, instead, Saussure was influenced mainly by the romanticist Adolphe Pictet. Saussure abhorred Pictet's method of etymologising, which predated the Young Grammarian school, central to Saussure's linguistic education. The issue has implications for the positioning of Saussure in the history of linguistics. Is he part of the non-analytical, romanticist and experience-based European strand of thought that is found in art and postmodernist philosophy and is sometimes called structuralism, or is he a representative of the short-lived European branch of specifically linguistic structuralism, which was rationalist in outlook, more science-oriented and more formalist, but lost out to American structuralism? The latter seems to be the case, though phenomenology, postmodernism and art have lately claimed Saussure as an icon.     

姜尚文化符号与尚湖旅游提升

姜尚现象已成为一种文化现象,“智慧”、“尚贤”、“平安”、“长寿”成为其主要的文化符号。本文认为,可从建设姜尚文化知识库、建设人文景观体系、展示姜尚文化主要符号、丰富旅游活动的内容和形式、提高旅游文化产业效益等方面入手来提升常熟尚湖旅游的水准。     

Golgi,Cajal and the Neuron Doctrine

Camillo Golgi and Santiago Ramón y Cajal shared the Nobel Prize in 1906 for their work on the histology of the nerve cell, but both held diametrically opposed views about the Neuron Doctrine which emphasizes the structural, functional and developmental singularity of the nerve cell. Golgi's reticularist views remained entrenched and his work on the nervous system did not venture greatly into new territories after its original flowering, which had greater impact than is now commonly credited. Cajal, by contrast, by the time he was awarded the Nobel Prize, was already breaking new ground with a new staining technique in the field of peripheral nerve regeneration, seeing the reconstruction of a severed nerve by sprouting from the proximal stump as another manifestation of the Neuron Doctrine. Paradoxically, identical studies were going on simultaneously in Golgi's laboratory in the hands of Aldo Perroncito, but the findings did not seem to influence Golgi's thinking on the Neuron Doctrine.     

试论远古图腾文字及书法雏型产生的动因及其审美理念

概述远古图腾文字起源期,书画同源现象,图腾文字符号与原始书法雏型的关系,从自然美到朴素的形式关、形象美产生的背景及动因。史前艺术宝库的基础。     

论中国古代的幌子广告

中国古代幌子广告经历了一个长期发展的过程。幌子广告的出现与原始人的图腾崇拜有着最直接的渊源关系。幌子广告的发展则与行商坐贾的分化不无关系。中国古代幌子广告类型众多,但概括起来,主要分为形象幌子、标志幌和字幌三种基本类型。幌子广告具有鲜明的行业特点,是中国古代民俗化的载体。     

浅议新砦残器盖纹饰的复原

本文对新砦遗址出土的残器盖纹饰的复原,其结果与台北故宫所藏鹰纹圭上的高羽冠神像非常相似。它具有鲜明的时代特征,对探讨二里头文化铜牌饰乃至商周青铜器较常见的“高羽冠饕餮纹” 的渊源具有重要学术价值。     

Posted: the campaign sign landscape,race, and political participation in Mississippi

Cultural landscapes offer potential insights into cultural processes. As a cultural/political landscape element, the domestic campaign sign is linked to a variety of socio-cultural and political processes. Examination of the geographical distribution of 2004 presidential election campaign signs posted throughout the town of Hattiesburg, Mississippi, illustrates that race is a factor in understanding who chooses to post signs. Historically, limitations on political participation in the South would have included use of landscape for communication, imposing a sort of metacommunicative landscape hegemony. Further, patterns of sign postings and voter turnout indicate that both activities are forms of political participation that are embraced differently by different social groups.     

Polarized light microscopy casts new light on plants used to make tapa

Information about plant materials of construction in artefacts advances knowledge about human history, agriculture, trade, migration and adaptation to new environments. Typically, materials identification in artefacts made from plants is problematic, since processing, age, dirt and surface treatments can mask identifying features, while ethical considerations relating to sampling limit the use of some analytical techniques. The study tests the usefulness of polarized light microscopy for identifying the New Zealand and Pacific plant species used to make tapa, indicating birefringent and morphological characteristics that can be used to differentiate fibres at the level Moraceae (Pacific; from genera Artocarpus, Broussonetia and Ficus) and Malvaceae (New Zealand; from genera Hoheria and Plangianthus).