Conciencia nacional y devoción jacobea en el Poema de Fernán González

Jacobean devotion and national awareness are closely related in the Poema de Fernán González (PFG). The great advance of the Reconquest in the thirteenth century and the reevaluation of the past that it caused enabled the broad Hispanic perspective of the PFG. Spain is not only a distant and longed-for reality (“regnum Gothorum”) but a current political concept. This is the frame of the PFG's intense Castilian sentiment. Castile is the bastion of the Visigothic monarchy, which did not yield to the Muslims and was the foundation for the recovery of Spain. The territorial diversity becomes the outstanding feature of this country, in which the “Montaña” takes an important role. Confronting the proposal of the cult of Saint Millán by the Monastery of San Millán de la Cogolla, the author of the PFG, aware of the damages that such a cult was causing to his monastery, clings to the Jacobean devotion that achieved a broad Hispanic scope.     

A ROOTED SENSE OF PLACE IN CROSS-CULTURAL PERSPECTIVE

Sense of place was investigated in an interpretive approach to examine how it develops; how it varies cross-culturally among modern and indigenous peoples; and how it develops among various contexts (home and environs, family, community, and culture). Individual and group interviews were conducted using questionnaires on Banks Peninsula, New Zealand (a rural, farm-based setting) with 270 residents from 1987 to 1989, with 80 out-migrants interviewed around New Zealand in 1989. The methodology was based on phenomenology, ethnography, and social surveys. Statistical analyses indicated the significance of residential status and social belonging toward the development of a sense of place. Contextual influences were found to be important from qualitative data, with traditional culture of primary importance to Maori. Both Maori and European-descent respondents with long-term residence expressed a rooted sense of place for Peninsula environs. These respondents were less residentially mobile and were often tied to the land through ancestry and/or family farms. Newcomers to the region were usually treated as outsiders (for decades). The Maori community was partially sustained by a social network that extended beyond the Peninsula. Maori sense of place was based more on their cosmology and culture, which rooted them to their tribal territory spiritually and emotionally. To counter an amoral, modernist hegemony and to move toward community sustainability, postmodernists need to consider the significance of developing a place-based ideology that links people to place through a rooted sense of place. À l'aide d'une méthode interprétative, le sentiment d'appartenance à un milieu a été étudié pour examiner la manière dont il se développe, ses variations interculturelles parmi les populations modernes et autochtones, de même que l'incidence de divers éléments, tels la résidence et son voisinage, la famille, la collectivité et la culture, sur son développement. Entre 1987 et 1989, des entretiens individuels et de groupes ont été menés, en utilisant des questionnaires, auprès de 270 résidants demeurant dans la péninsule de Banks, en Nouvelle-Zélande, et appartenant à un milieu rural essentiellement agricole. De plus, en 1989, 80 émigrants répartis sur le territoire de la Nouvelle-Zélande ont été également intervieés. Les études phénoménologiques, ethnographiques et sociales ont servi de méthode fondamentale. L'analyse statistique a révélé l'importance de la qualité de résidant et l'importance de l'appartenance sociale sur le développement du sentiment d'appartenance à un milieu. D'après les données qualitatives, l'influence environnementale est significative, et la culture traditionnelle est capitale chez les Maoris. Les répondants établis depuis longtemps, qu'ils soient de descendance européenne ou maorie, ont manifesté un sentiment profond d'appartenance à leur milieu, que représente la péninsule. Ces répondants étaient relativement stables du point de vue résidentiel et possédaient souvent une terre ancestrale ou une ferme familiale. Les nouveaux arrivants ont été habituellement traités comme des étrangers (pendant des décennies). La communauté maorie a été soutenue en partie par un réseau social qui s'est étendu au-delà de la péninsule. Chez ce peuple, le sentiment d'appartenance au milieu s'appuie davantage sur la cosmologie et la culture, ce qui crée des liens spirituels et affectifs entre ces gens et leur territoire tribal. Pour s'opposer à l'hégémonie amorale et moderniste, et pour s'orienter vers la viabilité des collectivités, les post-modernistes doivent se rendre compte de l'importance d'élaborer une idéologie axée sur le milieu qui lie les gens par un sentiment profond d'appartenance.     

基础日语说课

说课,是介于备课和上课之间的一种教学研究活动,现在已经成为了各大中小学校评价教师教学效果、教学质量的一种教学活动,是教师在备课的基础上,面对同行、专家,系统而概括地解说自己对某一门课程或者某一章节的理解,阐述自己的教学观点,表述自己执教的教学思想、方法、手段以及组织教学的形式等,然后由大家进行评说。说课,是一种新的教学研究活动,需要广大教师认真学〉-j,积极参与。     

North Korea’s Response to US Army Propaganda Leaflets during the Korean War

This study examines a particular aspect of the history of North and South Korea’s bbira (propaganda leaflets), focusing on North Korea’s propaganda strategies in response to US propaganda during the Korean War, including perceptions of propaganda leaflets targeting North Koreans and counterstrategies used against them. The research herein analyses Munhakyesul, the leaflets during the Korean War, and the leaflets held by the DMZ Museum. The findings of this study reveal characteristics of and differences between the psychological tactics used by North Korea and the US during the Korean War, as exhibited through the use of these propaganda leaflets.     

诗歌的意象蕴意及审美

诗歌意象是鉴赏诗歌的审美概念,也是诗歌意境、情思、风格的依托。意象表现为诗歌作者借助客观外物表现主观思想情感、表现对人生主体的思考和概括宇宙人生的具体现象。诗歌中的形象表征常常与民族的历史文化、传统习俗、生活方式、心理特点相互联系。把握了诗歌意象,就理解了作者蕴涵在诗歌中的思想情感,这有助于对诗歌的鉴赏和把握。     

Does inequality migrate? The development of income inequality across German states

This study analyzes the evolution of educational and occupational patterns among migrants and natives, as well as income inequality in Germany from 1985 to 2015. We show that despite migrants catching up in education, employment, and income with their native counterparts, unfavorable societal attitudes toward them have remained virtually unchanged, which can be attributed to Bourdieu's conceptualization of cultural inheritance. We find that while income inequality has increased significantly over the 30-year period, this trend varied considerably by the federal state and that migration did nothing to add to inequality. Since both the German economy and society rely on migrants, there is a strong need for the narratives toward migrants to be based on empirical evidence. The findings of this study hold migrant-related policy implications not only for Germany but also for other developed nations that rely on migrants as a labor force.     

Photographing dispossession, forgetting solidarity: waiting for social justice in Wentworth, South Africa

South Africans today inhabit a fragmented and discontinuous landscape, often despite their most cosmopolitan intentions. Grounded in the Coloured neighbourhood of Wentworth in Durban, this paper asks how remains of the past appear as differently temporalised artefacts, some buried in the archaic past and others more readily used to critique the present. In particular, I explore photographs of inmates of a concentration camp from 1902, township youth appropriating a specific commons in the early 1980s, black political photography from the late 1980s, and film wrestling with the ambiguities of post-apartheid political life in a Coloured neighbourhood next to an oil refinery. What unites these moments is not just a meta-theoretical concern with photography as both documentary and aesthetic, but the specific political uses of images, exemplified by the work of two black political photographers. Their practice provides cues for situating these other photographs in a long century of multiple dispossessions. The paper explores when and how photographs might shock the viewer into recognising resemblances, connections and potential solidarities, not just with the past, but with subaltern critique of racial space and subjectivity in the present. I suggest how we might view photographs from various moments relationally, to understand how, in one corner of contemporary South Africa, people continue to wait for justice despite uncertainty and official dissimulation, in a state of anticipatory frustration.