What Remains: Repatriating and Entombing a Canadian Unknown Soldier of the Great War in the Nation’s Capital

This article chronicles and contextualizes the creation of a Tomb of the Unknown Soldier in Canada’s capital. In so doing, it traces the myriad considerations, as well as complexities — political, procedural, and practical — that abounded in bringing this major memorial installation into being, namely the repatriation, from a Commonwealth War Graves Commission cemetery in France, of a Canadian unknown soldier of the Great War and his ceremonial reburial in Ottawa. Moreover, it argues that the Tomb of the Unknown Soldier, situated within an existing monumental space, functions, in the coinage of geographer Owen Dwyer, as an allied symbolic accretion to the National War Memorial.     

Forbidden Images: Rock Paintings and the Nyau Secret Society of Central Malaŵi and Eastern Zambia

This paper examines the rock art of the nyau secret society of eastern Zambia and central Malai. The art dates principally from the nineteenth and early twentieth centuries. It has been known to researchers since the 1970s but has given up few of its secrets. I examine the questions of why the art was made and why the tradition ceased. Key to answering these is the realization that the art belonged to a specific historical and geographic context: the era and area where nyau was forced to become an underground movement because of its suppression by Ngoni invaders, missions, and the later colonial government. The art provides us with detailed insights into the way nyau has served in the process of overcoming and manipulating the traumatic social changes faced by Chea society in the last few centuries.Cet article examine l'art rupestre de la société secrète de nyau au est du Zambia et Malai centrale. L'art date principalement aux dix-neuvième et bas vingtième siècles. Recherchers ont su l'art depuis les années soixante-dix, mais ils ont appris peu de ses secrets. J'examine les questions de pourquoi l'art était fabriquer et pourquoi la tradition a cessé. Pour résoudre ces questions c'est important à réaliser que l'art était à sa place dans un milieu spécifique d'histoire et géographie: au temps et place où nyau était forcer à devenir un mouvement clandestin à cause de sa répression par les envahisseurs Ngoni, les missions et, plus tard, le gouvernement colonial. L'art nous donne les aperçus détaillé sur comment nyau a servi dans le procès à surmonter et manipuler les changements traumatiques que la société Chea a bravé dans les siècles récents.     

Commemorative events at destination memorials – a dark (heritage) tourism context

In the past, sites and events related to war and atrocities were viewed in the wider context of heritage tourism. The term ‘dark’ was added with the aim of recognising heritage sites closely related to death and suffering. Given that commemorative events as part of dark heritage are not prevalent in heritage and tourism literature, there is a need to understand the behaviour of visitors involved in visiting these sites or attending this type of event, which presents a special challenge. Public commemorations, especially those that mark particularly disturbing occurrences, such as ‘The Great School Hour’ – an event which is presented in the artistic form of a ‘school class’ – are unique form of tourist activity that has not been thoroughly investigated previously. Thus, the aim of the study is to explore the influence of the main motivators on revisit intention and willingness to recommend for those who attended the commemorative event ‘The Great School Hour’ in Kragujevac, Serbia, with a particular focus on younger people. The results suggest that learning, emotional response and uniqueness have a significant positive effect on revisit intention, while emotional response and uniqueness have a significant positive effect on willingness to recommend.     

关于孙中山与辛亥革命几个重要史实的辨析

对于孙中山与海外华侨和辛亥革命的关系,国内外学术界已有很充分的研究。然而,有关孙中山与华侨关系的几个关键问题,如孙中山加入洪门团体的具体情况、武昌起义之时孙中山的行踪、＂华侨为革命之母＂的来源等,学术界却仍然众说纷纭。论文选取相关重要历史文献资料加以解读和评析,以澄清以上相关史实和认识误区。     

Dark Nightmare: The Shooting of William Alexander as Canon Scott Saw it

Frederick G. Scott's World War I war memoir, The Great War As I Saw It, contains the sole unofficial eyewitness recording of a court martial execution that we possess. The case of William Alexander 20726 Alexander, William. 20726. Service records. Library Archives Canada, RG24, vol. 2538 HQS 1822, RG 150/acc 1992-93/166/Box 83-992 and RG24-C-1, 1946 Central Army Registry R112-553-X-E, Reel C-5053 90,  [Google Scholar], executed in October 1917, for desertion in the face of the enemy compelled Scott to devote more printed space to it than to the death of his own son, Henry. A discussion based upon a close reading of Scott's memoir and an exposition from archival sources of Alexander's case demonstrates the ways in which Scott evades the case's disturbing implications echoes wider aspects of Canada's early memorialization of the Great War.     

Between Defeat and Victory: Finnish memory culture of the Second World War

The article focuses on five essential phenomena in the Finnish memory culture relating to the three Finnish wars fought in 1939–1945, namely, (1) the memory of the fallen; (2) the influential work by author Väinö Linna; (3) the contested memory politics and veteran cultures in the 1960s and 1970s; (4) Germany and the Holocaust in the Finnish memory culture; and (5) the ‘neo-patriotic’ turn in the commemoration of the wars from the end of the 1980s onwards. The Finnish memory culture of 1939–1945 presents an interesting case of how the de facto lost wars against the Soviet Union have been shaped into cornerstones of national history and identity that continue to play a significant role even today. Using the growing research literature on the various aspects of the Finnish war memories and memory politics, the article aims, first, at outlining a synthesis of the memory culture's central features and, second, at challenging the common contemporary conception, according to which the Finnish war veterans would have been forgotten, neglected and even disgraced during the post-war decades, to be ‘rehabilitated’ only from the end of the 1980s onwards.     

Examining the memorialscape of occupation and liberation: a case study from the Channel Islands

This paper introduces the concept of the ‘memorialscape’ as a tool for studying the inter-relationship of memorials within a single rural or urban environment or landscape. Using a case study of the British Channel Islands, where the number of memorials relating to the German occupation of 1940–1945 has increased greatly since 1985 (the 40th anniversary of liberation), I examine the active role these memorials have played in changing the occupation narrative of the islands. This paper will also explore the importance of memorial marginality and centrality; memorial inter-visibility; the difference between the memorialscape of the capital towns of Guernsey and Jersey and the groups they commemorate; and the narrative that the resulting memorialscape produces.     

《王侍郎奏议》刊刻史考略

王茂荫是清代以不避权要、直言敢谏而声震朝野的名臣。《王侍郎奏议》是他的主要遗著。从王茂荫生前因病开缺调理期间(清咸丰八年七月至同治元年初)亲自编辑"奏稿"藏于家到20世纪90年代初黄山书社新版点校本《王侍郎奏议》,历时一个多世纪,凡编辑5次,刊刻4次。本文对《王侍郎奏议》刊刻史进行了梳理考述,披露了鲜为人知的佚闻佚事,对刊刻过程中的一些关键性人物作了评介。     

The Training of Secret Police in Conflictual Intelligence Cultures: British Failure in the Middle East during the Cold War

This article explores the nature of security training chiefly associated with MI5. It shows that, akin to the security training implemented throughout the colonies, policy-makers in London hoped to strengthen Middle Eastern security services via British training, which would safeguard British interests in the region. This article argues that an unintended consequence was that strengthening Middle Eastern security services became part of the problem rather than the solution. The policy served mainly to bolster increasingly unpopular, authoritarian regimes against a rising tide of anti-British sentiment. Thus, British foreign, more specifically anti-Communist, policy in the Middle East was short-sighted and a failure.     

HOW THE OLD LEFT HAS FOUND A NEW PLACE IN THE MEMORY GAME

In his new book, How Modernity Forgets, Paul Connerton seeks to show a relationship between the workings of late capitalism and the institutionalization of forgetfulness in ever more abstract conceptions of space and time. He uses this argument to explain why the topic of collective memory has waxed so large in contemporary historical scholarship. I interpret his argument in light of his earlier work on habit memory and his still earlier critique of Frankfurt School social theory. I close with some comments on his study in the context of recent work on mnemonic practices in modern culture.